After death

Clementine 2022-03-18 09:01:03

When I watched the entire film, the whole person fell into a huge void and did not recover. Fundamentally, in terms of the filming itself and the narrative strategy of the story, I think this movie is remarkable. Directly to the climax, without any muddle-headedness. Almost the whole film has no urine spots. This is very good. For a fan of sci-fi movies with a heavy taste, compared to last year's "Pacific Rim", it is hardly a grade, but this film did it visually! For the previous year's "Prometheus", the depth is on the next level. Of course, the disadvantage is that there are parts that make me want to laugh at some moments. For example, the slow-motion scene of the axe and the teacher's scene was disgustingly disgusting, and that was enough. For the cockroach, I watched the spoiler before, and it was still disgusting. Too heavy! To vomit. . .

The part that moved me the most was the last word Wilford said at the end. It's almost a question I've been pondering over this period of time. Individual value and the order of the universe. It was the frequent dialogue that completely pushed me into unprovoked pain. I thought this movie watching was just another hobbit.

really. The whole train is the earth in a figurative sense. As the cornerstone of the entire world, the earth is the prototype of perpetual motion machines. This inexhaustible place needs ecological balance, and the same can be proved that human society also needs balance. This is true from the meaning of mechanical structuralism and formalism. I thought that when everyone returned to their place, everything could return to the normal world. In the end, when Curtis appeared as such a savior, I really began to shake my firm idea of ​​change and change. Now it seems to be a joke. I still fully agree with what was said in a short review that this movie must end with Curtis's final choice as the leader in order to become the most tragic movie. Only in this way can the film's discussion of order and freedom rise to the height of a duel between destiny and free will. Unfortunately, the director still processed it into a survivor-like human epic. This ending is also meaningful, but it lacks the impact of reality.

To a large extent, the complexity of the real society can eventually be reduced to the entire train. I remember I once talked about how the lower class of mankind and the so-called elite should coexist peacefully, and the impact of this tyranny on society. Do humans need ideas like revolution to chat with friends. I have always insisted on individual happiness and the cultivation of people. Now that I think about it, I'm suddenly at a loss. Is the ultimate meaning of man only in maintaining the system? Where is the way out for mankind? For movies, leaving the train is the solution. But who can guarantee that later humans will fall into such a calamity? Perhaps this is the infinite loop of human beings. Reincarnation and karma are generated in this kind of involvement again and again.

I don't know if I need to continue to ask questions. What is the price of all this revolution? Why change all of this in the end?

Today, the pair of love roads sitting on my left have been chatting, and from time to time there are audiences watching movies playing on their mobile phones. Sometimes I think about it, I probably don’t want to change something for these people? When I saw them, what I saw was total despair of this country. I am afraid that starting from today, I will firmly be an elitist.

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Extended Reading

Snowpiercer quotes

  • Gilliam: [discovering a red letter in a protein block] The water supply section?

    Paul: Yeah, it's just a few cars up. It's where the, uh, the water's cleansed and recycled.

    Gilliam: It's one of the most crucial sections in the train.

    Curtis: If we take it, we have the upper hand?

    Gilliam: We don't even have to go to the very front. We control the water... we control the negotiation.

  • Edgar: Listen, would you get on with it, man? You're keeping us all fucking waiting!

    Namgoong Minsoo: [through the language translator] Am I?

    Edgar: Yeah, you are. Although you have been fucking smelling that inflammable shite, that time is probably a distant concept for you, isn't it?

    Namgoong Minsoo: Of course. I'm only doing this for Kronole.

    Edgar: Here we go again. Kronole this, Kronole that. Christ almighty, man, do some fucking work.

    Namgoong Minsoo: You're the ones who keep giving it to me.

    Edgar: Are you a bit thick? That's what you asked for each time you opened the gate.