However, some parts are really moving and I like them very much. The director's aura, the expression of the actors, if a two-hour movie can have three such clips or even moments, it is worth appreciating. And the director's future is also conceivable, isn't it?
The boy and his girlfriend have the same suit and scarf. The heads of the two buses are close and far apart. The boy ran to the bookstore to steal the picture book for his girlfriend. He took the invitation card he picked up to the party. The favorite is Miella in the room. Through the intercom conversation with Bernard outside the apartment, the man spoke a long monologue about falling in love to a walkie-talkie that originally only said "I'm xxx, please open the door", wow, I don't know if the latecomers have No one is going to imitate this bridge, if there is, as long as it is not a rush, I think it deserves to be praised again. All these details and emotions seem to be natural, but we experience it every day and don't realize it, and being so lightly lighted by the author, life becomes a work of art.
You can watch it twice. Must watch it at least twice.
Looking back at the debut or early works of some of the directors who have become famous today, it seems that you can feel the strong power of this unfettered self-expression. Those films are not perfect, but in such a work, you I can't help thinking that his talent should be enough in this life (of course, there are actually many directors who spend all their talent on their debut hahaha).
Last but not least, the well-recognized movies I watched last week were boring. . .
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