One is a Norwegian film and the other is a Chinese Hong Kong film.
It was the first time I saw a Norwegian film, and it felt very good. The introduction was a comedy, but I thought it was an artistic film. Because of watching this movie, instead of laughing, I almost pissed my pants. Marin, who was standing in front of him, fainted when the hero, Rui Nwa, almost cut off his own life with a polishing machine. After that, Rui Nuo went to the hospital to heal the wound, the whole figure was reborn, and she lived a stable life.
The film runs through Rui Nuo's cartoon broadcast, which is extremely exaggerated. The cartoon characters inside are animal faces, Rui Nuo is a fat puppy, and the other sexy women are cats. In my opinion, the metaphorical meaning of the cartoon in the movie is very obvious, which is to express the sexual desire and sexual distress of a man with inferior appearance and personality. Although the cartoon is exaggerated and there are many scenes of rendering sexual organs, it does not hinder the audience's aesthetic interest.
Rui Nuo was a German-to-Norwegian translator, and Marin called him a professor. Marin was a problem woman who had endless sex with her boyfriend, partying, drinking and drugs. When she and her boyfriend rented Rui Nuo's office home, because she was sexy and beautiful, these were deeply attracted to Rui Nuo. However, he was lonely and looked down upon because of his obesity. In the eyes of Marin and Marin's gang, Rui Nuo is just an object of ridicule and a tool for happiness.
Norway is a western country after all, so it is more open in terms of sex, especially for women. But it's not so easy for Rui Nuo, who relies on masturbation for sexual satisfaction. After Marin broke up with her boyfriend, she let Rui Nuo sleep in the same bed as herself. Rui Nuo fell into Marin's fantasy of her sexual seduction. She couldn't extricate herself and started masturbating. Avoid her and scold him. Only then did Rui Nuo pick up the polishing machine and cut his genitals. This scene, I think, is the climax of the whole movie, and it is also the expression of the movie itself - the gap between sex is due to the identity of the person. If Rui Nuo was a handsome guy, Marin would not be able to resist and would offer up a fragrant body. However, Rui Nuo is a fat boy and looks ugly when moving.
There is also a plot worth mentioning, Marin arranges a date for Rui Nuo, and Rui Nuo is disappointed that the date with her is a fat woman. He sighed with emotion, could it be that fat boy can only date fat boy? I'm sad when I see this? I will immediately think that people of similar status can have similar enjoyment. For example, poor people can only marry poor people, black people can only be with black people, etc. This is the traditional Chinese saying "the right match" - this is what I use to this society. The expression of sexual reality.
We can only sigh, who called us poor diaosi?
After a long time in the world, a very depressed person will become angry, which should be a reasonable logic. Indeed, Rui Nuo got angry at the end, but I just couldn't figure it out, why did Rui Nuo become happy after he recovered? He seems to have stepped out of the shadow of sexual distress... Perhaps, only after experiencing great sadness can one taste the sweetness of great joy.
Now, when I talk about another movie "Sex is Hot Enough", I will associate it with "Love Night Puss" when I look at the name. In fact, this movie can be tasted as a literary film again. The protagonist of the film is Xiaoqian, a rural girl who went to Shenzhen to work, but because of her great figure, she was liked by the boss, and she even got engaged to the boss. However, something unfortunate happened. When she was in the countryside before, a person who had raped her broke into her house, had a new relationship again, stole her credit card, and threatened and lured her, saying that she would be nice to her in the future.
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