From the hindsight of "Daughter of the Dune" and "The Face of Others", let's look at the flaws of the first film adaptation of Hiro Kagawa's Kafka-esque novel by the public house of Abe: the original work wanted to use the universal existence of human beings as the The theme, creating a conceptual allegory, is embodied in a plot that uses class domination and struggle as metaphors; but for audiences who have no concept or sympathy for the political left, this weakens the creator's sense of the essential nature of existence. Whether the perspective can cover the persuasiveness of the whole. Ideology comes first, so that the part of the metaphor is lost. Instead, the audience can clearly see the hard work of the two directors behind the scenes trying to pull the story to the philosophical level.
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