seen the three women played by Yu Peier, and there are many people who can bring salt and style! The first female director, buttoned to the chest, purple shirt, flip-flops, smoking a cigarette, is a very casual middle-aged girl in literature and art; the second rich wife, with tacky high heels, kisses at the beach with a slap in the face, Good soap opera, she made a girl praying like You Mu You (see the poster); the third abandoned woman, very accepting, not too resentful, finally found the lighthouse, in a Korean man's tent! I would like to say that such a kind of plot, for Pell, is not a bit. . After all, she is not young, but there is no problem at all! She might be in her fifties with all kinds of amorous feelings.
Life is to come, do something about it! In the film, women complain that men only know sex, why can't women know more about sex? That's right, a woman needs to be nurtured and raised (you see, how heavy the woman played by Moon So-ri is), she needs to take more "responsibility" (the original words in the film, it actually discusses life!), no The mind goes to "sex". No mind, or domestication - I am a wife and a mother, and I am loyal to the family. The last woman, when she was abandoned by her husband, the two sons have grown up and have their own lives. Next, she should find her own life. If it weren't for a family accident, she might not have thought of coming to South Korea to go to the beach to indulge with a soju bottle. Indulgence does not mean sexuality, but there is no liberation without restraint. Meeting and going to bed is inevitable. It seems that he pretended to be very sad, was abandoned by his husband, ran to a remote seaside in Asia, was full of desolation, worshipped Buddha and asked the master about it, and finally found the answer in a muscle boy. People are so funny. Men and women are the same. This is Hong Sangxiu's YY French woman, a real French woman who realizes that life will not be so troublesome, and she will be liberated at the moment.
Hong Shangxiu has been drinking soju just to forget the reality that he is a man, but after all, he can't forget it, so he can only make movies and be a man (please read it in Wuhan dialect). So, men think about that, and how to combine that with openness. That thing itself is not dark and ugly, but when he thinks about it, he has to be ugly. Therefore, Korean men remind foreign women that whoever is unreliable, just wants to say that they are reliable, and hurry up. No wonder, the Korean woman is so arrogant that the cat around her runs away as soon as it smells fishy. Or "Woman by the Sea", okay, don't care, the contention is nothing more than to say goodbye first, it's better not to say goodbye, or not to practice as well as men. Therefore, there should be a "Men are the future of women".
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