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A place with people is often more terrifying than a place with no one.
Before watching this movie, whether it's "The Shining" or "The Mist", individuals are in a state of "not loving but interested" in Stephen King's adaptation, and will always feel unprepared at some point. Was shot.
This gun does not refer to the usual Jump Scare "routine" used in horror movies, but it is precisely this routine that accumulates fear that has accumulated for a longer period of time. It doesn't appear at the same time as those surprises, but after the superficial surprises calm down, it binds people to the bottom of the sea like a boulder.
In "Return to the Clown", the dark side of the society brought by the youth friendship element weakens the original sci-fi setting. A story originally with the color of Cthulhu mythology suddenly has a narrative closer to the hearts of the people. There are many precise and mature lens operations in the film. Although the soundtrack is generally well-regulated, it also has some eye-catching features. The small contrasts and contrasts in the details of some characters are very cute. Sophia Lillis can be said to be a bright color, and Finn painted another for himself. A personality line, the unrequited love of the little fat guy (no fruit but courage) is quite impressive, although the presence of the remaining little guys is more like to meet the needs of "type coverage".
And covering these types is not to simply startle everyone in them or to jump a few times, but to introduce "different types of'it'", which reminds me of another figure-"Bat Boy".
"Bat Boy" is a role in Jin Min's OVA "Agent of Delusion". The director is my favorite director, and the film is also my favorite among his many works.
Compared with "It" which is "different from person to person", "Bat Boy" on the one hand is also the materialization of the heart demon, on the other hand, it has a stronger sense of tragedy of "self-deception", with a strong escape The protagonists of the heart of the heart are constantly tailed by the unwilling to admit the demons. If it is said that "a place with people is often more terrifying than a place with no one", the source of "someone" in "The Clown" is "others", then in "The Delusional Agent", this "person" The source of this is "self".
As some short comments have said, it is indeed not an animation that a child can feel clearly. When I first met, it shocked me so much that it made me unable to jump out for a while and write a complete and detailed review of it, and the depression when I saw it is still like a wick soaked in oil. In the candlestick of the heart.
The juvenile’s bat in "Agent of Delusion" seems to be able to slam you on the road forever, and the adventure of the protagonists in "Return to the Clown" may be closer to many adult audiences watching for the first time. The growth phase that has been "passed", "it" is temporarily "stagnated" at this moment, which makes people feel a sense of security, but when I see you again 27 years later, I don't know what kind of ripples it will inspire.
All in all, the core number of "What are you afraid of" in "Return to the Clown" will not make many senior genre fans easily satisfied with its scary degree, or because of the difference in cultural background, some of the symbols can not cause it. The expected resonance, after all, the distance from the inertia of horror movies will inevitably make people have to adjust the division of its internal components. Personally, there is no problem with this, but whether there is still a reason-
not in this parallel world People who see the fear in their hearts have actually unknowingly defeated countless large and small "it" in their own world?
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