"Di Renjie's God of the Dragon King" has too many grooves to vomit. Think of where to vomit.
What are you going to do when you design a big monster in the sea? Do you want to attack Luoyang City, but Luoyang City is on the shore. Do you have the ability to land and fight? If there is one, show one. What's the use of turning the world upside down without you?
Or you want to say that the land and water battle, the big monster is specially responsible for attacking the fleet, but what about your huge ground force? No, just a bunch of bats in the bat cave.
Oh, by the way, you have Gu worms, you can turn the entire Tang Dynasty into poison, and then you will cooperate with the inside and the outside.
But since you have such a powerful Gu worm, you can directly bring down the imperial court and turn the emperor into a monster to make chaos in the world.
Speaking of Yuanzhen, who was turned into a monster by you, don't you just want his secret recipe for fried tea? If you just kidnap him, it's over, do you need to turn him into a monster first? Turning into a monster suddenly changed from a weak scholar to an Ultraman who can fight and shout. You can't subdue it, and you let your big monster go. Wouldn't it be adding trouble to yourself?
Well, if you turn him into a monster, you won't be able to get the secret recipe, and then lock this monster on an island to cook tea for you, a monster to cook tea for you, and draw a curtain. Do you think this is second-hand, or literature and art? Woolen cloth?
After the scholar turned into a monster, he couldn't even speak clearly, but he still remembered the secret recipe and even fried tea! So, is he cooking girl tea, old farmer tea or scholar tea? Oh yes, monster tea!
As I said earlier, no matter if you ask him for the secret recipe or for him to make tea, just kidnap him and it's over. You have to turn a giant literary scholar into a huge second-hand and then do a giant literary and artistic thing, you say this Is it a giant literary or a giant two?
Speaking of literature and art, I thought it was a multi-literary poem that fascinated the top official play, but it turned out to be a copy of not envious of mandarin ducks but immortals, anyway, create an original one, brother! The strong cottage wind can be glimpsed from this poem, not to mention the capital cities, boats, flowers and trees that are like toys.
There is also that white horse that can run wild in the water. I will accept this for the time being, but it can jump out of the water. You really treat the horse as a fish, or a flying fish. I think you might as well find a seahorse!
Bai Ma is well versed in water, even if it is like a flying fish, you can't even tell the truth about a person's water! Di Renjie later said that he didn't know water, but what happened to him before he jumped into the pond to play diving and water-weed wars? what happened?
Besides, that big monster, what kind of Gu insect did you feed it to make it look like this? How did it come about? There must be a story behind it, right? How did it die, what poison did you feed it, please explain a little bit.
Foreigners always push the time forward when shooting monsters, and then use a bunch of advanced technology to explain how the monster came into being and died. When Tsui Hark shot the monster, he moved the time back and pushed everything to the bug. Bugs, bugs again, you have used bugs in the first episode, and you still use them in the second episode! How many bad bugs do you have, and how many bad movies do you have to make?
Every time there is a scene in the movie that can explain various mysteries, the curtain is drawn, and an ancestral secret recipe is presented in a short while!
OK, foreigners have dazzling technology, we have ancestral recipes! Foreigners have Frankenstein, we have quacks! Have you finally found the ultimate weapon against Hollywood blockbusters?
If you don't have enough scientific literacy, don't shoot magic that looks like sci-fi, and all kinds of logic don't stand up, so don't do any reasoning and detectives!
The whole movie is like the scene of fighting and killing on the cliff. Below is the abyss. You can't find a logical fulcrum. There are only a few thin ropes hanging on it. Those are the weird things in the director's head. The imagination breaks easily. Everything has to be dangerous, so the plot is like a cliff everywhere. Everything has to be mysterious, so the movie has been banging from beginning to end, throwing things in the audience's face. I said how hard are you guys, just climb to a high place and cut the rope with a knife!
I will not complain about other acting problems and inexplicable love and ambiguity, but amuse the audience.
I know it's a big popcorn movie, but it's so cold that I can't eat it before the movie is over.
But having said that, before the National Day, even going to the N-day shift made my head numb. Watching a movie for brainwashing and complaining was to start the holiday mode, and it also met my needs.
Without further ado, I wish you all a happy National Day.
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