Lens, composition, light and shadow are as subtle and refined as always, Rossi continues to describe the hypocrisy of the upper class in the West.
Dirk Bogard maintains a tacit 'healthy competition' relationship with Stanley Baker, who is also a university professor. They scrambled to reach out to the Austrian princess who appeared elegant and intellectual but was actually debauched.
Colleagues took the lead, and Bogard, who was unwilling to be behind, took advantage of the opportunity of the princess's car accident and did not hesitate to overlord.
The characters in the whole film seem to be only the princess' betrothed boyfriend who is more sunny and simple, and also died in a car accident, the metaphor is self-evident.
The portrayal of body language is more important than the dialogue, and it can better highlight the subtle psychology of the Western middle class.
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