Closer to home, the film's structure is clear, with Paris' cloudy weather and 16th-century architecture, which is unique. Sophie Marceau's house, on the top floor, has a very high shed and has a good view and space. The man is an artist. He is not beautiful and has no money, but he is not short of money. He lives in Montmartre and can see the Sacred Heart Church when he opens the window. When watching French movies now, most of the time you want to see if you have been there.
From the unresolved extramarital affair between the artist and the wife of an art tycoon, from the real problems of love and bread to the fiction of how incredibly harmonious the relationship between the stepfather and the children is, French romantic comedies are always richer than Hollywood. And they shoot commercial films, and the rhythm is quite fast. For example, falling in love is a momentary thing. But this, I didn't feel it. It's all paris is love capital, everyone has excess hormones, but in my opinion parisians are also busy with work, walking fast, where they can strike up a conversation when they have time.
However, the artist may be another matter, not to mention the 360 goddess he met with no dead ends.
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