At first, I thought it was a strange education of a father and son, but with the development of the plot and the deepening of the relationship between the characters, it turned out to be a perverted and heavy taste of pedophiles. The biggest feature of this Austrian pedophile film is that it is pragmatic in literature and art, without the full gimmicks and aura of other commercial films. Unlike the American style, which is attracted by various big-name characters and lively sound effects, nor is it painted with ink and ink like Spain, it is completely calm and indifferent to the slow flow of depressing and cruel perverted events. When I saw Michael enjoying himself in the workplace, skiing with friends, and the style of a good man at home, it was hard to imagine those dark and evil dirty deeds.
Even when he clearly saw that he stretched out his clutches to others and tried to abduct other children secretly, it didn't make people think it was such a great thing. Because Michael was so suave and luxurious in front of the audience from beginning to end, and he couldn't have any connection with the shadows under the sun. It is this kind of sin under the sun, which is especially shocking and memorable, because it is too close to real life, which makes people surprised that maybe this is the evil thing that happened next door. Especially in the last section of the film, when the funeral was held for Michael, when the mother and brother came to Michael's house to clean up the housework, the slow clean-up actions and the boring homely conversations made people feel agitated and anxious, I really wanted to treat them Roar loudly: There is a child locked in the basement, what are you talking about! When the mother passes by several times and finally opens a gap in the closed door, the film ends there, reaching the climax of the Spanish thriller "The Dark Side".
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