The days of desperation are quiet

Doris 2022-03-21 09:03:17

The way the film is told makes the story a bit barren. A story is a good story, but it always gives people the feeling of wanting to cover everything, but because of time, they can only stop at the end. The characters are not full enough to be superficial, and can only be written in words. Fortunately, at the beginning I learned that the wonderful crying scene in which four passersby were unjustly killed has enriched the characters of many heroines.

In fact, it is a story full of dangers and dangers, but it is calm and comfortable and even sweet from beginning to end. It seems that those emotions that should be erupted have been forcibly cut off. At first I thought it would be a thrilling crime movie, but then I gradually realized that, oh, this turned out to be a love story, this may just be a love story. When I haven't finished reading it, I feel that the changes in the heroine's psychological activities seem to have no lower limit, and there is a feeling that the moral bottom line is sacrificed in order to complement a perfect love. I only use the symbolic method of she cut her hair to get rid of all the contradictions. I personally think that at the beginning of this film, I wanted to rely on the fierce and contradictory psychological struggle caused by the protagonist's misunderstanding to achieve the purpose of sublimating the theme, but in the end. This seems to be sacrificed, resulting in a loss of depth in the film. After thinking about it carefully, maybe this is not a sacrifice, everything in front is the foreshadowing of this sudden love.

When I saw the second half, I was confused and felt that the male protagonist used love to save the female protagonist on the edge of the cliff. Is this ignoring the moral bottom line for love? After all, the first half has been emphasizing the female protagonist's inner pain for killing innocent passers-by Feelings. At one time, I felt that this was not actually the salvation of love, but just gave the heroine a reason to live, a reason to not want to die, and most importantly, it was for others, but not for herself. Her behavior can be clearly seen that even though she feels guilty, even if she says that she wants to die, the desire to live in her heart can still overwhelm all of this. Maybe it has something to do with the style of the whole film. Seeing their love, you I can always forget that this is a desperate couple, and the picture is full of a touch of sweetness and world stability. Anyway, no matter how fast the thoughts change when I watch it, I still watch it very smoothly. It is compact and interlocking. There will always be a lot of big holes dug but only one filled, so that the story can proceed smoothly to the end. It feels like that's why I feel the story is too barren, probably because it automatically ignores a lot of other plots in order to describe this one love affair. Finally, I want to say that the ending of the film gives people a shock that can't be prevented. This is another one that can make people unable to help but say---- grass, this TMD is also OK? ! end of. But after the end, all the so-called rhetorical questions about morality are self-defeating. How to meet the needs of morality and the yearning for perfect love? The end of the film gives us a perfect answer. Feeling relieved, even a little disappointed.

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Extended Reading

Heaven quotes

  • [last lines]

    Filippo: Now.

    Philippa: Yes, now...

  • Philippa: But what you don't know is I've ceased to believe.

    Filippo: Ceased to believe in what?

    Philippa: In sense. In justice. In life.