American dramas’ love of psychoanalysis, if it is placed in a super long drama where new characters are constantly appearing and the protagonist is constantly plumped, it is quite normal, and if it is placed in a drama about the CIA itself, it seems a bit excessive. .
And these over-analysis have led to the main problems of American TV dramas. . . Why are there so many psychiatric protagonists, eight of the ten are mental illnesses, communication disorders, and emotional out-of-control. . There are so many mental illnesses. . The male protagonist’s mental problems are completely understandable. The female protagonist’s mental problems are really uncomfortable. People who are emotionally out of control are swollen into the CIA, and it is so obvious that they are out of control. . Americans who have emotional problems know to take medicine and I will go. . . I really can't understand that
apart from all the things like that, this drama has some advantages.
The role of Saul is really brilliant. Compared to the same black chiefs in American dramas, the roles are much plump, emotional, technically professional, and have insights into problems. They are really well-shaped.
The brothers and sisters in the Arab world are also very humane, giving them the richness of many roles, and they also have a straightforward criticism of religion and security issues in the world today, which is relatively rare in American dramas.
However, in view of such a boring and entangled heroine, I foresee that the play will be very long, and in the end it must be in a state of tastelessness and a pity to abandon it.
For those who want to see, be prepared to watch while fast forwarding. .
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