The most suitable ratio

Arden 2022-03-19 09:01:03

I found that the director likes to give a protagonist at the end of the movie...well, it's a sublimation. Or a plot twist, with some unexpected happy endings.
The director is always involved in the writing of the script, which can be a hallmark of an author's film. At the same time, he has his own unique video style. When writing the script, he must have considered it together, which is why this special atmosphere comes out.
Because earlier, the film's colors didn't have the distinct yellow tones that came later. Music isn't used that much either. But in fact, I think this is just right, like the next few episodes, it seems that there is too much music.
In this film, the people around are basically normal, only one old and one young are expressionless. I also think this design is better. In the next few films, almost everyone is a geek, which weakens the feel of the film.
His photography style hasn't changed much and has been used since then.
Haven't seen an earlier bottled rocket. This one alone is the best of all his subsequent films.

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Extended Reading
  • Daphney 2021-10-26 03:31:23

    In Wes Anderson's second work, in addition to being easy and funny, the sorrow of life is also faintly revealed in it. (Admits himself) Precocious freak teenager vs. boyish tycoon, a beautiful teacher drew the two to bend. The passionate spirit of daring to think and act in a young age and fighting against each other is vividly reflected in the film, just like the obsession of creating an aquarium and the crazy act of performing the [full metal shell] Vietnam War blockbuster on the stage. Jason Schwartzman played really well (this was his screen debut), Olivia Williams was beautifully shining, and Bill Murray's revenge for breaking a teenage bicycle and locking it back in place was fascinating. Hold a belly. The obsessive-compulsive symmetry composition and candy fairy-tale color scheme in Wes Anderson's later works are not yet noticeable in this film, but the playful and rich soundtrack (mostly old songs from the 6th and 70th), and the overhead shots of small objects , The formal chapter transitions (various curtains) and the preference for letters are purely Weiss style brushwork. (8.5/10)

  • Brett 2022-04-23 07:01:27

    we all were young, have u forgotten?

Rushmore quotes

  • Rosemary Cross: Well, you pulled it off.

    Max Fischer: Yeah, it went okay. At least nobody got hurt.

    Rosemary Cross: Except you.

  • Herman Blume: [on Max's offering a small box] What's this?

    [Herman opens it and looks]

    Max Fischer: That's the Perfect Attendance Award and the Punctuality Award. I got those at Rushmore. I thought you could choose which one you like more, and you could wear one and I could wear the other.

    Herman Blume: [after gravely considering both the proffered olive branch and the choice] I'll take Punctuality.

    Max Fischer: [smiles] Okay.