There is also the wretched uncle of the photon classmate. . . You take off the baby's clothes and you take it off. What do you mean when you pull the head off? Are you coaxing or scaring children? . . And who produced this doll Nima, which even comes with underwear, I bet it's not China, the Chinese underwear must not be taken off, but the plastic that is attached to the doll.
Takeshi Kitano has the potential to become a gymnast.
When you shoot someone, classmates, you find that the other person didn't even spray blood with one shot. Obviously, they are wearing bulletproof vests. Love me, please take a headshot? Of course, some people say that headshots are not so easy, and that the range is not necessarily successful, okay, I admit, but man, everyone else is standing in front of you to change the magazine, you can shoot the gun a little higher ?
Symphony with bloody scenes has also become a theorem, which is not bad. Is the patriarch Kubrick? . .
Well, these are indeed harmless, and the Fifth Law of Movies also tells us that the little boss cannot be shot to death by the male protagonist when the movie is in general.
In fact, as a movie recommended to me by a classmate of so-and-so, I should give this movie a four-star evaluation under the background that I have also given high marks to countless bad movies. I love so-and-so classmates but I love the truth more.
When I was writing essays in high school, the teacher always taught us that we must use the sentences of the ancients more. Sadness is nothing greater than death of the heart. It is a sentence that I spit out, and I never write the source in the references, nor in the head and the head of the sentence. Put quotes around your ass. I hope that under my subtle influence, the teacher even thought that this sentence was written by me.
So in my opinion the most significant message of this film is not about human nature, but about the relationship between society and people and the fact that there is no greater sorrow than death.
The BR law is formulated for rebellious adolescents (feminists don't spray me, I mean men and women...), and its origin is only that adults are afraid and disgust and disrespect adults, and are forming independent thoughts and behaviors adolescent teenagers.
In fact, every adult has come from the rebellious period, although they will be distressed by the education of their rebellious children, they will not hate them. And judging from the urination of the adults in the film, the theme of this film is definitely not about how human nature is distorted under the dictatorship of terror, while surviving in the cracks, and the protagonist emits the light of humanity that represents hope.
Then the theme of this film can only be like this. The rebellion that adults hate is not the period of rebellion brought about by the physiological changes that everyone has experienced, but the batch of new ideals and new ideals that are introduced into society every year. hope, new thinking. And the adults here are not just the soldiers and teachers that the film presents to us, but all the assimilated people included in this society.
Society hates long, weird screws. Personally, I think this is especially obvious in Eastern society. Although the East has gradually moved closer to the West in terms of technological means of science and technology, and even in terms of management and politics, but in terms of social values, no country has received a profound baptism. A wave-type movement that promotes new social values. From an image point of view, if society is compared to a machine, the parts required by the eastern machine are of uniform production specifications, while the western machine accepts parts of various colors. The Oriental Machine basically ignores the individuality of the parts. I personally think that judging from the fact that one-tenth of Japanese women have acted in AV, it is basically possible to arbitrarily judge that Japan is a sick society. I do not deny the utility of sexual behavior to human beings, but in Without digging into the relevant material, the one-tenth figure greatly exceeds normal sexual needs. From an economic point of view, the high wage supply and demand balance achieved by Japanese women in the AV labor market reflects the evidence of excessive personal repression in Japanese society: the decline of personal utility and the consequent search for new utility from other aspects. to compensate for its original utility. Of course, the Chinese people shouldn't have a sense of superiority. China's failure to shoot this does not mean that Xunlei's server does not have this. . .
Dying in this game does not represent the destruction of the body. What is permanently destroyed is more of people's spirits. There is nothing more sad than death of the heart. Remember that the reward that most motivates your classmates to kill each other is not a risk premium but just the basics of going home and moving on with your old life. So whether suicide or homicide in this game is a compromise to society. To put it plainly, the former type of people think that resistance is futile, and they first compromise on life and society and become a social screw. They deeply know that the country will not forget them, even if it is a pair of underwear, a piece of Toilet paper has its uses; the latter kind of people struggle to live this screw-in life, but after a lot of sores, they finally compromised forever through the hands of others.
But the above is not the point I want to discuss. I think this film, even all films and even all history tell us a law, which I call the first law of movies or the first law of life or the first law of the universe: luck is the most fundamental.
I don't call it important, because I still think a kind heart is the most important, but a kind heart does not determine your luck, a kind person may not meet another kind and awesome person to protect her. It may bring you luck, it may be fat, it may be cute, it may be stupid, it may be academic scum, it may be monsoon, or it may be a banana peel you stepped on. In the movie, Teacher Kitano wants to highlight the purity and nobility of the heroine, but I don't think that the dead girls are not pure and noble, and good people will surrender, but she is still kind.
As I said in the title, this is really not a serious game. Except for summing up the first and fifth laws, there is no winner in this game. No one can survive this game. It's just a matter of going home. It was the never-eaten carrot hanging in front of the mule. Sad, but it's the truth. The fact is that from the moment we step into this game, this game, this competition, that society has prepared for us, compromise is everyone's destiny.
As such a nondescript interpretation, the article itself feels a lot of pressure. But don't talk about movies in terms of movies, rather than put movies in a big way, so that any movie can be integrated into some frameworks. For a film that explores human nature, I have to refer it to social issues such as focus interviews, and the purpose is to create a template for this aspect that can be applied at will in the long years to come.
As for the title, I was afraid that people would say I was pretending when I used the game, so I chose to use the word game.
As for the key plot reveal, I don't know what I revealed. Could it be that there will be violent blood spurting scenes when Photon's wretched uncle pulls the doll's head, and the ghost baby will possess the body, thus developing into a ghost baby possession, or in the When the camera cuts back to the basketball court of the junior high school, a live-action version of the slam dunk will be played.
This is a good film that explores human nature. It is dark but also shining everywhere. It is in line with the consistent aesthetics of Japanese movies, but I dare to give it a low score, dare to speak my mind, and dare to be melodious in Come On Eileen I wrote thousands of words in the melody, just because I love so-and-so but I love the truth more but I love so-and-so more.
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