And the part where Tom explained the music with the hanging bottle. . . It is even more captivating and fascinating. And Denzel's handling of the gradual change of concepts before and after is also delicate and not superficial, convincing and gratifying.
The white things at the end are red-handed, especially the originality of this film. Just as the deep joke A thousand lawyers chained together at the bottom of the ocean is called a good start, Funeral is also a good birth-giving.
As far as the same-sex movies I've seen so far, Philadelphia and Farewell My Concubine are indistinguishable from each other, and they are far ahead with their high concept of digging out the strongest voices of characters based on the background of the times. Ground-breaking!
In the two works, the 2 couples have no intimate contact, but from the pursuit, persistence and perseverance of the male protagonist, love is strong.
Philadelphia premiered in 1993, and now 20 years have passed, and the social issues the film reflects seem unchanged. But the spiritual totem conveyed by the film—won't be ashamed of love, even facing AIDS, has long been deeply rooted in the hearts of the people.
The last but not least, the music in this movie is really divine!
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