The Sagittarius I write is very similar to the Sagittarius Godard's Sagittarius Woody Allen's piece, which is like suddenly eating a cookie stuffed with green onions on February 30th.
This is the second Woody Allen movie I've seen. The first time I met this wonderful flower was "Midnight in Barcelona". The ramble is very cute. Woody Allen, who was almost 40 years old, is still in New York and Hollywood today. Bright, time, time, the first joke at the beginning of the application: two old couples came to a certain place and ordered a dish.
I think Woody Allen has been in drama, has been an actor, and knows two people very well, one is Brecht (the lines in the movie have a divisive effect) and the other is Stanislavsky. I don't really like this kind of scene language of the classic melodrama, but it is worth learning and learning. Especially comedy, this kind of alienation can make comedy rise to a classic effect of abstract entertainment.
In addition, there is the influence of seeing Freud on the director, dreams, dream interpretation, psychoanalysis. All in all, although I haven't watched many Woody Allen movies, his movies are like putting people and people in a petri dish, carefully observing and savoring them.
In this style, I prefer the style of "Tin Drum". In my aesthetic definition of film, the first is visual and the second is auditory. The first is conflict, the second is life. The first is tragedy, the second is comedy.
Maybe the Chinese people can't read the unique humor in the American language, maybe the American audience will laugh just by listening to the classic language, just like they would laugh just by watching Chaplin's classic movements.
What I have learned is: how to organize language and produce effects in comedy genre films. Suspense, say the first sentence, and then look forward to it, and laugh after understanding.
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