As long as they're patrolling in police uniforms, the camera is basically fucking out of alignment.
The gangsters are responsible for most of the FU*CK and dark shots in the film.
However, the roughness of the lens does not affect the connotation of the whole film.
The two policemen who were patrolling together, jokingly, were on their way for a few minutes.
Even saving two children to become heroes or fighting with gangsters. Not so much foreshadowing. Reality is right in front of you.
The seemingly fragmented and random shots are the reality of real life.
Life does not have so many ups and downs, not so many so-called meanings, and not so many so-called themes.
Some are just such fragments. wobbly. Endless. It is precisely the fragments that connect you and me.
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