[The anti-climax of "Bull's Head" and "Izang" - "Japanese Film and Television" "Surprise" Tang Zhenzhao October 2005
Takashi Miike's biggest feature is the complexity of his works. "Skin-to-Skin Love" won him widespread support from overseas audiences, and even the film festival network began to track his works. Ironically, as a type of fast shooter, he is of course also good at catching the audience's taste, so in recent years, his works have continued to push the overflowing and extreme film flavor to the point of constantly pushing the boundaries. The idea behind It just highlights the side that the West does not understand about Japan - it is precisely because of its mystery that it can maintain its attractiveness in the market.
Therefore, the new works "Bull's Tau" and "Izang" are basically the same, and Miike's strategy is to give up the plot management (this reflects that he can't see the reason for the success of "Love to the Skin", and mistakenly thinks that the Western The audience is only excited by the scale challenge on the camera, in fact, its shock is more due to the daily nature of the situation setting, which makes it even more chilling), and it flows into the scenes and the pretentiousness on the camera. Both use extremely simple linear plots - "Bull Tau" is caused by the disappearance of the underworld eldest brother, and his brothers continue to encounter surreal personal relationships in the process of searching; "Izang" is about an ancient killing machine Necromancer. The quest for revenge begins, thus transcending time and space to kill all opponents again and again. Miike went to great lengths to make the audience restless, so he conceived a scene like at the end of "Bull's Head" where the eldest brother crawled out of a vagina that he claimed to have transformed into to be "reborn"; and "Izang" even more The method of death of each enemy is considered and changed, trying to show the audience how many possibilities there are to be killed in one hundred and twenty minutes.
To me, the above madness all means that Miike Takashi has gone astray, forgetting that his greatest strength is the limitation of combining types, and taking advantage of the possibility of changes in types, rather than obliterating all the original conditions, To build a so-called arrogant personal style. My conclusion is that the Western Michi Chongshi fever is actually a trap of "loving you and killing you", and I hope that Michi who is trapped in it will have a chance to be reborn. ]
In addition, I took some notes and collected the N ways that everyone was killed by Izang. Later, a few people were not just killed by Izang, and I fought back a little, um, anyway, I started to feel annoyed in the end. Come on, just mark it ==
VS1: The slain samurai A likes to draw the sword and close the sword, but the revenge fails, or is he chopped down =L= There is a Tomogawa Hall singing a sad song next to it==#
VS2: The revolver Ryoma Sakamoto? (mistakenly) Throat cancer needs to use electrodes to make sounds =L=Poppapa shot, it was very frustrating, chopped, and then dragged away by a rickshaw==# It hurts
VS3: old lover, Liu Nv took out from a place in front of the chrysanthemum I stabbed it with a sword, got blocked, and then fell into the swamp to be hit by a stone ==#
VS4: Shinsengumi, Okita, Earthwork, Okita seems to be Oikawa Kwanghiro's cos! Still chopped ==#
VS5: Killing a bunch of monk soldiers and monks==# It hurts
--------I still can't figure it out , Kitano Takeshi and other cadres have appeared-------- --
VS6: Two vampires in suits with kitchen knives. . . Cut ==# It hurts, hurts, hurts, hurts. . . It is said that the vampire is weak, and the little fangs are too happy (Waterfall Sweat
VS7: The mother spinning yarn in the woods...
Chop VS8: The women are entwined with
Yizang VS9: Judge (Banping Tai persuaded Yizang)
VS10: Wedding The unlucky newlyweds on the
VS11: Parent-teacher meeting Zhu Jun (the teacher is teaching some very anti-human concepts, what is the country, democracy, love, and the lines are true)
———————————— ——A tragic Youchuan Hall emerges from the flowers =# Ah! It’s the head of state! ———————————————
VS12: Play against SWAT in the longhouse scene. . . .
VS13: Fight against Edo Yukatsu in the modern setting of Osaka. . . (Example demonstration, people who talk a lot die faster)
VS14: VS hats and hats
VS15: VS bad boys
———— On the road, they meet the villagers of the Heian period, and then fall into the era when every man in Japan collects red paper, and then jump When I arrived in the Warring States Period, another Youchuan Hall sang a sad song.==#——————
—————I met the other half of my soul, a woman, and Izang evolved into a complete body, and my clothes were sticky.
Scrapped ———— VS16: Office worker
VS17: Family
——————————— A tragic Youchuan Temple emerges ==#——————————— —————
VS18: VS Underworld
VS19: Black Fangzhu ==#
VS20: Japanese Undead
VS21: Kitano Takeshi and other cadres (a
tragic Tomokawa Temple emerges ==#) VS22: Former boss
VS23: Matsuda Dragon Ping was the bodyguard, and after death, they both changed into chrysalis.
Some of these lines were excerpted:
Teacher: Yamada-kun, what is love?
Yamada: Here! Just a word, the word itself does not carry any natural meaning. Sometimes, it's just a tone of voice.
Teacher: Next, tell us what democracy is?
Yamada: Yes! Democracy is a by-product of human civilisation; an illusion. The illusion of human rights has progressed
Teacher: Okay, then Jun Sato, what country is?
Sato: Yes! The state exists only in the human mind...a fictional concept...through this concept, people can be raised together like animals, and through this fictional concept,
sacrifices can be unilaterally demanded.
Teacher: Very good! That's it for today's class.
The last verse of the film:
In the dim light, everyone will come to this:
to become a bird about to fly high
up a new sky will be your new home
people in this home are like a mother in
the name of the disease singer
doctors listeners
nurse poet
I would say, three pools monitor these lines in front of Terayama are weak burst, "to hide" read through enough, although there are I like Takeshi Kitano, Matsuda Ryuhei, Mitsuhiro Oikawa When I waited for the public to appear, my blood pressure exploded with excitement at the moment of appearance, and there was also the shock field of Yuchuan Temple, which was close to Mikamikuan, but the film was really all kinds of B, and it did not have the aesthetic feeling of cult films that I liked, after satisfying my curiosity There is nothing left.
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