Four street gangsters, tomb robbers, and cynical scumbags unexpectedly returned to 1942 and experienced war, love, life and death.
While not perfect, there are a lot of wonderful details.
Before the sergeant died, he asked when the war would end, and he died with a smile.
Sokolov said angrily that Moscow would never be occupied.
. . . .
But what I like the most is that until the end, he did not let the four young men simply become heroes of salvation. On the contrary, they were still afraid to charge, and even some people would hide in the grass, but, whether you are afraid or not, it is all To fight bravely, this is the real warrior.
The original long hair, hiding in the grass, found the same coward, but even these cowards, in the end, went out to charge one by one. . .
There are also many details, such as the captain in the special department, when he appeared on the stage, he was cold and full of flesh. We can think of many villains in the movie. It seems that he should use his power to force women and bully soldiers.
But in fact, he is also a good man. He neither took women forcibly, but also tolerantly let go of the four "recruits" (this kind of human tolerance, from the sergeant, to the captain, to the captain in the special department, showed him time and time again. Four young guys from the future, they all regard soldiers as brothers, children.)
This is consistent with some of the interviews with Soviet veterans I have seen, whether political commissars or specialties, they are not monsters with green faces and fangs, but with everyone. Fighting the same, living the same.
The part where the male protagonist is in front of the German officer is actually a tribute to Bondarchuk's "one person's experience", "I only drank a glass of wine, and I don't eat." (Bondarchuk drank three glasses of vodka in a row, interested friends can try it at their own risk)
. . . .
The words are almost finished, and finally, salute to the director! ! !
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