This time it's still a love case. In addition to the detached relationship between the two love affairs in the rotten stalks of the eight o'clock file, there are more layers of language barriers, and one more white woman makes other characters crazy, so there is another field of interpersonal wrestling. This time the language is not as good as the previous work. For Hong Sangxiu, it is only a sketch, but the permutation and combination game he likes to play is still very comfortable to watch.
Of the three permutations alone, the first koan is my favorite. As far as the whole movie is concerned, under the first arrangement, the confusion that the unreadable love letter brought to the lifeguard seems to have been placed in the last story. (but really only if there is nothing)
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