1. The plot is very ordinary, fragmented, and I don't understand what I want to express. Even a boss is an amateur level. . .
2. I don't know where the scriptwriting logic is. For a while, Iron Man thinks that the protagonist should start with small things first, and for a while, the protagonist will be recognized by Iron Man after defeating the boss. Maybe defeating the boss is a trivial matter. . .
3. The logic is really very strange. The protagonist hit the boss for the first time, but because of recklessness, he almost died of a boat. Iron Man put away his suit and thought that the protagonist should start with small things; later the protagonist went back to take it. After a Lego block, he hurriedly dressed in a normal suit and went to fight the boss again. As a result, he was madly beaten by the boss, but the boss is an amateur and can't kill the protagonist anyway. Later, the protagonist was smashed down in a basement and it was all right, but became stronger. I suspect that I was watching the Roach Man, or "Super Saiyan's Spider Change". . .
In the end, the boss wanted to steal a treasure chest among the many properties on the Iron Man plane. In order to protect Iron Man's property, Pig Man destroyed the entire plane. Of course, some of the property was left behind. . . The biggest problem is that Iron Man thinks Pig Man is doing a good job. . .
This is equivalent to a passerby who sees a thief stealing things from your house, and then in order to stop the thief, the passerby burns your house, and then you have to praise him? WTF. . .
4. There is also clearly prepared the boss to speak for the lower class people, and then said a sentence or two, there is no more text, I feel like I was about to climax, and then I was kicked hard, which was extremely uncomfortable. . .
5. If the heroine is black, I can bear it. After all, it is a matter of aesthetics. The heroine is in distress for GG, and the hero is not there. It stands to reason that if the female lead likes the male lead, how can she also ask why. But no, the male protagonist confessed, and the female protagonist accepted it happily, as if she had never experienced anything. I also endured it, after all, people's hearts can be infinite.
Later, the female lead left because the male lead defeated the female lead's father (that is, the amateur boss). Pigman wanted to speak and stopped, but he didn't want to stay. One or two words passed like this, and then it was gone. I don't know if the director wants to express whether Pig Man no longer likes the heroine because of the heroine's father, or whether he wants to express that Pig Man actually doesn't like the heroine that much.
So I want to express that Pigman is not an animal that values the feelings of men and women?
After looking back, I discovered that this emotional scene was so blank, hasty, and emotionless, a very stupid emotional scene, forcibly implanted.
6. So the question still comes, what does this movie want to express? human nature? idea? manner? ideal? insist? funny?
Except for some funny points, the rest don’t know what the director is doing. A lot of things are taken in one stroke, which is very abrupt. The biggest problem is that many things are contradictory. It is estimated that the director drank too much. . . Many, many unreasonable things, very, very strange. There are still a lot of things I can't remember, so let's sort it out if you have a chance. . .
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