The little boy Cole, the soul of the movie, his acting skills are indeed commendable. He is a child with a mental defect and was brought up by his mother. He is lonely and no one can understand. No one listens to the child's voice, so he chooses to be alone to protect himself. He strives to be a good boy in the eyes of adults. He no longer paints the life he sees, because it is death and sin. He starts to paint rainbows because it makes his mother happy and makes teachers and classmates not feel that he is strange. Things, just such a nine-year-old child, he carries too much depression, is so helpless, and makes people feel pity. The psychiatrist McCann broke into his life and gained the boy’s trust. From the beginning of doubting the facts Cole said, to finally helping him out of his fear, Bruce Willis did this step by step. You introduce the puzzle and let you guess how unexpected the ending is. The ending is sensible, but it also brings bursts of helplessness and regret at the same time that it is frightened. It also reflects an increasingly common phenomenon in today's society-the education of children from single-parent families. What is most appreciated is the warmth that this film reveals, just like the love between McCann and his wife. Especially at the end, McCann knew that he was dead and had a affectionate dialogue with his wife; the mother’s love for the child, for the sake of Cole, this single mother can be said to be exhausted. The protection of the child, the patient education for the child, the trust in the child, and the love of Grandma Cole for Cole's mother are the highlights of the film.
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