"Hideout": half iron and half tender

An international felon-like figure, captured and monitored by CIA agents. Because the prisoner knew that there was too much international intelligence and was worth a lot of money, all kinds of people waited for the opportunity to hijack, and during the interrogation process, the gangsters rushed through the customs and sabotaged the plan. After a complicated and thrilling incident by mistake, a 9-to-5 civilian detective was forced to bundle up with a felon, and waited for the command of the headquarters to constantly transfer him to hiding places one after another to avoid pursuit. On the other hand, he has to prevaricate the reason for not being able to reunite at night with his lover. After experiencing the helpless and bloody hand-to-hand combat, he finally returned to the Land of Gentleness the next day, and started a happy and leisurely life again.

This is a clichéd film that can no longer be vulgar, with all kinds of tracking and chasing, speeding cars, hand-to-hand gunfights, and packing countless scenes of the same type. Beasts come out, cool poses, political conspiracies, handsome guys and beauties are all available. Of course, my brother is here to play cool. Even if I see the fierce face of Denzel Washington, I can think of countless old movies, but Ryan Reynolds, the creamy boy, looks like Ichiyu, and it is matched with the tough guy. , or produced a remarkable effect. Perhaps, this is what the director wants to express to the audience the most, just like the black and white collocation of the poster. Adding instant tenderness to the chaotic violence makes the plot characters more flesh-and-blood, as kind and urgent as the big boy next door is troubled by the underworld.

I just feel that Denzel Washington finally fell to the ground and blood flowed from the moment when Denzel Washington was so arrogant and admirable. The tragic heroes in the past gave everyone some brewing time at the end, but now they are cut off with a single slash. It seems that my brother is really old and can no longer keep up with the director's pace. As for some people's comments, they must bring the content of the film into politics. I just want to say that you are complicated again, worry too much, and look beyond the topic. What the director told us to watch is an innovative bridge with black and white faces, not who There is an old and old topic of whether it is possible to make a film or not.

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