Booth

Dillon 2022-01-26 08:08:55

I lost some of the coolness in the phone mix at the beginning of the movie today.
But Stu's lingering among magazines, celebrities, and the police who broke the news was very impressive, especially the restaurant owner who was playing hard-to-get with the intern. I smiled knowingly, and even secretly promised to learn. However, it is these exquisite, handsome Italian-style suits, and the "lie to everyone" that MS can play around, which leads to a pizza man.
To be honest, this pizza man really did a good job. His expression is that of no expression but one that makes people guess in 10,000 ways. It can be innocent or a vengeful demon.
Another great performance is the fat whore, when she yells "He has a gun, he kills people!", the exposed chest, the exaggerated makeup and the exhausted back lip, that kind of "show talent" The atmosphere of "I can't tell the truth when I meet the soldiers" is completely created, I really sweat for Stu
. The suspense of this play is who is the man with a magnetic and detached voice, that is, whether Stu will be shot by the police, so that the voice The man succeeded, especially when there was a power struggle within the police, and Stu was completely under surveillance and could not ask for help.
So, when I heard the voice man in a trance after Stu was injected at the end, I thought that Stu could call his wife, the police chief and shout to Stu to send a message. In fact, it was part of the voice man's plan. He did it on purpose. Indulgent.
The only thing I don't understand is that the voice man's final monologue is so divine, it seems to completely remove the image of a perverted killer, so why did the pizza man die for the ghost?

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Extended Reading
  • Darlene 2022-03-22 09:01:24

    A performance art done by a high intelligence quotient to save the human soul. Let an ordinary person who can't leave the small phone booth to realize his shocking education. The development of the plot is quite ups and downs. Exciting.

  • Retta 2022-03-22 09:01:24

    For a small and closed space, performance and lines are the two most important points. Colin Farrell’s solo show is remarkable, but the lines are too artificial and there are big problems in the logic of the story. Generally speaking, the script is very novel, but the production is too rough.

Phone Booth quotes

  • Felicia: Get done in there, gotta hit this trick spot before the next bitch take my score.

    Stu: Look, go away!

    Felicia: Go away? Hang up the fuckin' phone, nigger!

    [Stu looks at Felicia and then closes the booth]

    Felicia: This motherfucker, you don't eyeball me. Bitch!

    [Felicia walks away]

  • Big Q: Voodoo on you-do, motherfucker, from Big Q to Big Stu!