The separate performances of the same group of actors in different sections endow the characters with subjective initiative. In fact, Robert Bresson's video writing is also doing such an effort. Hong Sangxiu's method is opportunistic. In my opinion, of course, this shot was hit. A large swath of French colleagues. It's interesting to explain this bias. The game of building blocks and other more complex games are essentially games, but why are there so-called competitions? Children's graffiti and the Annunciation both call out the glory of God, but perhaps most people still pay more attention to the Annunciation? If the splendid and prosperous summer of spring will eventually be replaced by the desolation and desolation of autumn and winter, can it be asked whether there is nothing in sight, the great existence is not manifested there, in the landscape we see Is there a great being inhabited? If the "being" of nothingness also embodies a certain meaning, that is, it invokes filling, then is the anti-proposition true? This last question is the most important, because the existence in the world always embodies a certain amount of fullness, and the presence of that fullness has a landscape, but if there is nothing in the landscape, it means that the anti-proposition is true. Moreover, if the anti-proposition does not hold, it means that there is some kind of fullness in the landscape, then what is the meaning of the existence of this latter fullness that can be called, and does it call for another kind of fullness? The journey of Dasein is hopeless, is it the same as Hegel's bad infinity, is it true?
Going a bit far, those so-called high-competition questions are only for Dong Qingmei. It is undeniable that the beauty in capital letters cannot be classified as superior or inferior, but the beauty displayed by the works can be quantified to some extent. Through the long-winded paragraph above, I just want to give a metaphor, that is, the presentation of works of art as a cave, music, painting, movies, etc., no matter how much tragic twists and richness are backspaced, the work becomes A cave through which the light of beauty comes to us. The arrival of light gives people the feeling of a kind of dizziness similar to fear. The difference is that the disorder of the cognitive sequence accompanied by fear will return to its original state after the tide recedes, while the light of beauty will bring about reconstruction. That reconstruction is Generation of escape routes.
elsewhere. This is also the feeling of suspension given to people by the proposition of this film. This kind of suspension is similar to sublation at first. After realizing the unavoidable loss in the middle, we begin to face the original delusion from the subconscious. The conversion of the settings is completed. Suspension makes the theme appear frozen and gives it potential energy, so after those beautiful things come to our hearts, after the frozen state is lifted, beauty comes in like a tide.
Smoking - not smoking. There are shadows of Alain Renais in many places, haha. . .
View more about In Another Country reviews
