Doug's escape

Evan 2022-03-16 09:01:02

The film is composed of two plot lines: The open line is a battle between the bank robbers in Charles Town (hereinafter referred to as CT) and the FBI, which can be understood as the commercial part of the film. The dark line is that Doug tried his best to leave CT. Only the interpretation of the literary and artistic part, that is, the dark line, can comprehend the profound connotation of the film.
Doug's relationship with everyone around him revolves around the theme of "Leaving CT".
1. Why do you want to escape?
The hatred of the old love Kris is actually the unbearable looking back at my own corrupt life, that is, the dissatisfaction with the degrading environment of CT. What he said at the end of the film, "No matter how much you change, you still have to pay for what you did in the past." And Claire, as an "out-of-towner", places Doug's yearning for "out-of-town life" and the future. hope. But because of the embarrassing identity of "outsiders" (see how people on CT view people outside the town), the two are doomed to separate in the end.
Good brother James advocates violence and advocates solving problems with fists. People who are "assimilated" by CT have no survival skills other than crimes and live by themselves every day. Tired of starting a new life, it's no wonder Doug said he was a donkey. CT is corroding people's minds, growth environment, and the impact on a person is too great.
2. The
father of the person who escaped and the person who was arrested represents a person who has attempted to escape from CT. When I had a wife and children, I wanted to leave this fucking system. But was brutally stopped by the gardener. The gardener represents the traditional concept of CT: "People of us can only do the work of robbing the bank. They can't change it." And Doug has a "good role model" in the film-Dino. He betrayed his brother in exchange for an errand "outside town", which shows that it is not easy to escape from one side.
3. Should I escape?
2007 small bookThis issue is also discussed. In the film, Morgan Freeman wanted a little girl to escape the fucking growth environment of the mother's family with drug addicts and took her away. The police officer who investigated the disappearance case played by the younger brother finally discovered the truth. Faced with "arresting the old man and letting the little girl continue to live in the garbage environment" or "ignoring the duty of the police officer and letting the little girl be raised by the elderly." The answer given by Xiaoben is "people cannot choose the environment in which they grow up." Compare the film In fact, you can think of Doug as the little girl who was sent back to the drug addict's mother's house. The police officer was wrong? There is never a perfect choice in life, and the living environment cannot be chosen, but we can choose what kind of person we become.

View more about The Town reviews

Extended Reading
  • Maiya 2022-03-22 09:01:17

    How can a film that is very heroic and look like a Hong Kong film? ! It’s a good attempt for amateur directors, but it’s only after watching this kind of director’s film that the audience can realize how important and valuable the “rhythm” is and their talents. Without “rhythm,” it’s like this film. It's a bad movie, but I always feel uncomfortable watching it, hey. . . I want to say it's not easy to love you

  • Lottie 2022-03-21 09:01:20

    I know I will see u again, this side or the other····· Ben Affleck I like you so much! ! ! !

The Town quotes

  • Stephen MacRay: Look, I gotta die six times before I get out of here; but I'll see you again - this side or the other.

  • Doug MacRay: I'm thinking about, uh, taking a trip. Going dark for a minute.

    Stephen MacRay: Takin' heat?

    Doug MacRay: Nah, just... Makin' a change.

    Stephen MacRay: Yeah, don't tell me. "Making a change". Either you got heat or you don't. I heard a bread truck got dropped.

    Doug MacRay: Oh yeah? I didn't hear about it.

    Stephen MacRay: Okay.

    Doug MacRay: Let me ask you something. In case I don't see you again. How come you never... uh... how come you never looked for her?

    Stephen MacRay: Uhhhhh... looked for who?

    Doug MacRay: For ma. My mother. How come you never looked for her? How come you never tried to call nobody or look for her or ask around...

    Stephen MacRay: When your mother left, you cried so hard you were throwin' up. All over the parlor. So, I told you if you looked around you might find her. It was to, eh, give you an activity. I didn't think you'd carry it like a fuckin' disease. Oh, you wanna think she was an angel? Go ahead. But look out your front door. How many 22 year old girls are out there, they're fuckin' around, with kids they don't want... and... you know... no sense in their heads. And your mother was no different. Now that's the hard truth. I made my peace with it. Now make yours. I didn't look for her because there was nothin to find. Look, I gotta die five times before I get outta here. But... I'll see you again. This side or the other.