Mainly, I just want to sigh with emotion about the hail of bullets, where the two passer-by-level robbers and accomplices struttingly walked on the road and were solved by the NYPD. The stormy bullets made me look silly. . . I am reminded of the first episode of "120 Bullets" [Bonnie and Clyde], the style of Hollywood's "Bullet Utopia" many years ago, and some classic works directed by John Woo (there is absolutely no criticism here}. But the director of this film is not Luc Besson, and the two killers just wandered around for a few minutes in the film, let alone the plot loopholes there, are they worthy of this "ah dead so tragic" treatment??? In some movies that are inherently dog-blood (well, dog-blood is a blessing), this question can also be perfunctory with a dog-blood, but seriously, just these two nc robbers, they are not killer Leon, why? I need so many bullets...
In fact, the above means that I am on the cusp of a bullshit. It is a well-recognized drama that hurts the plot. What are the bullets doing?
Of course, I must mention, ah, these male prostitutes are really lonely. "don't ever, ever leave me again", right, the voice is so sexy, right? Why don't two old men elope ╮(╯▽╰)╭
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