Yang Mi is really so popular now that he has appeared in various movies like a panacea, and all of them act as weird functional roles. In the whole "Painted Skin 2", whenever the plot cannot develop and needs a turning point, classmate Yang Mi appears:
the frozen fox demon Zhou Xun needs to come out, so Yang Mi comes out, she pecks the so-called frozen hell a few times, and then This awesome frozen hell cracked open. It can be seen that the demon world is also a place where scumbag projects are rampant;
Zhou Xun and Zhao Wei changed their identities, and Chen Kun was still there without knowing anything, so Yang Mi appeared again and told the truth. I told Feng Shaofeng and Chen Kun, and then everyone set off to change their minds together;
the last group of people couldn't beat Fei Xiang, and they were about to be wiped out, so Yang Mi appeared again, leading a bunch of crows to instantly kill Fei Xiang, and then quietly The earth comes and goes quietly, without taking away a cloud.
Nima Yang Mi is simply a goddess who fell from the sky to solve contradictions in ancient Greek dramas! In one sentence, Yang Mi saved the world in the end.
And the most ridiculous thing is that, apart from these three appearances, Yang Mi has been diligently playing soy sauce for the rest of the time, although I admit that when she was with Feng Shaofeng, "Why am I not a demon? Why am I not a demon?" Then A piece of cuteness is very cute, but for the whole plot, she is a character who has always been outside the plot. Zhou Xun and Zhao Wei were tossing around vigorously over there, and they had nothing to do with Yang Mi.
We must firmly despise this kind of blatantly taking actors for the box office (instead of a character that is needed in the story), while cutting corners and minds on plot twists.
Tucao 2: Such an unscrupulous positive character is really rare.
The most bizarre plot setting of the director is that after the princess Zhao Wei turned into a fox demon Zhou Xun, she also needed to kill people to survive. Chen Kun would come out to stop the princess, that's what I guessed.
But I didn't expect that I guessed the ending, but I couldn't guess the beginning!
Why has the princess already killed people and plucked out their hearts?
Director, do you think this is appropriate?
In any case, the character of the princess gave the audience the impression that she was a very positive and sympathetic character. The fox demon will kill people and get their hearts out. That's the way the role is set. It still doesn't prevent the audience from liking this fox demon who dares to love and hate. But the princess can't do it, and the director of the person she killed has not shown that he is a bad person. It seems that he just found someone randomly on the street to kill.
Of course, I'm dying, who cares about others, kill them if they deserve to. The truth is true, but this is precisely the difference between the movie and reality. The behavior of the characters in the movie should be consistent with the settings that the characters emphasized to the audience before. Moreover, positive characters like Princess Zhao Wei can't just kill innocent people indiscriminately. okay?
In the end, the director meant that if you kill people, you will kill them. It doesn't matter. As long as you don't eat your heart, you will still be a good girl, princess. Chen Kun said that if you eat your heart, you will never change back. But I very much doubt that a person has already killed innocent people, and even took out their heart, and then threw this heart away, saying that Lao Tzu still kept his integrity and adhered to the bottom line of being a human being. Is this too outrageous?
Anyway, this kind of plot is going to be put on Hollywood. It must be the princess who struggled and hesitated for a long time. She couldn't bear it (the so-called weakness of human nature), and was ready to kill and dig her heart. Just before the murder, Chen Kun came and said that you must not Kill, you will never change back to the original you. Then Xiaozhi moved with emotion and reasoned, and for a long time, the princess did not kill an adult.
Of course, Hollywood is very vulgar, and we can't blindly imitate Hollywood, but I think at least Hollywood is right in this matter. If you want to express the selfishness and darkness of human nature, that's another story, and it's also the director's freedom to directly make the princess become a witch from now on. But you have to say, princess, let's be a human and not a demon, and let the princess kill people for her heart. The difference between a man and a demon is the question of whether to eat or not, right?
I really don't know that director Wu Ershan wants to design this plot in the end instead of Chen Kun coming out to stop the princess before the murder. I can only guess this way. In essence, Director Wu Ershan is still a person with B-level movie feelings in his heart. Look at the appearance of the big eunuch in his last work "Knives", and the scene where the eunuch kills all the handsome chefs. The animation of the whole family is too heavy to taste.
Maybe according to Wu Dao's cult taste, he always feels that if the princess is not allowed to have a murderous heart, he is not cool enough and not high enough, but director, you are not directing a B-level movie but a mainstream commercial blockbuster. The three views of the characters in it I still have to talk about it, especially the positive characters you created can't be so unscrupulous!
Tucao 3: Chen Kun, you have become a big winner in life.
Since the film discusses love as an opposing value between skin and heart, then the combination of Zhao Wei and Zhou Xun in the end obviously dissolves this discussion, at least to a certain extent. , appearance and heart are very important. While that's true for men in fact, that's not how the film's story is told.
I can only say that the director has a biased understanding of the Hollywood-style happy ending. If it is a Hollywood ending, first of all, Zhou Xun and Zhao Wei will not die, but Zhao Wei must still be that ugly. The difference is her growth in thought and value: she will understand that true love is not something that can be obtained by changing a pair of skins. And Zhao Wei will reap a true love.
The protagonists in Hollywood stories generally have a surface goal and an inner goal (for example, the surface goal is that I want to climb up Wall Street, and the inner goal is that I want to get my father's approval). In the development of the story, the surface layer of the protagonist The goal will continue to be achieved, but its inner goal will go further and further, until the climax The protagonist wakes up and realizes what he really wants in his heart, so the ending must be that the protagonist is at the end of the story, and his surface goal seems to be Complete failure, but complete success in his inner purpose.
I think the most shocking part of Painted Skin 2 is precisely the part where Chen Kun blinded his eyes. It not only points to the topic, but also closely integrates with the plot. It's a masterpiece by the director. It's a pity that the combination of Zhou Xun and Zhao Wei in the end completely dispelled the shocking power of the cut-eye plot. Chen Kun still became a big winner in life. Although he couldn't see it, the audience knew for him that he had a beautiful appearance. , A kind-hearted and gentle daughter-in-law.
Tucao 4: Can we stop designing such clichéd shemale love routines?
Although we know that Feng Shaofeng and Yang Mi are in this drama just to play the box office, it has nothing to do with the plot (it's all functional), but I still can't help but complain about Feng Yanglian in the movie, can Nima be any more cliché?
The structure of this routine is: a white, rich and beautiful demon is about to harm a certain male diaosi, when two stinky hooligans suddenly appear out of nowhere and are ready to molest the lewd banshee. The banshee smiled disdainfully, and was about to kill these two stinky hooligans, when suddenly the male diaosi killed her heroically and wanted to protect the banshee. Although her fighting power was completely unable to protect the banshee, her sincere and serious foolishness still made the banshee's heart dark. May. Since then, banshees have started to post male diaosi backwards.
I have seen this routine in many N domestic magic movies and TV series, and I really hope that I will not see such a plot again in the future. Couldn't it be a little more innovative to make the encounter at the beginning of the monster love? (A kind-hearted male diaosi happened to save the white rich and beautiful girl who had been injured and was beaten back to her original shape. Since then, the white rich and beautiful girl, Fang Xin, has been sticking to the male diaosi. This kind of setting should not come out again, get rid of it!)
Newly added Tucao :
Today the school organized to watch it again, and found a lot of new grooves. The main thing I want to talk about is why did the rescue team take Feng Shaofeng there? He obviously has neither combat power nor magic skills, and his only function is to help Fei Xiang kill a teammate, and if this teammate comes over by himself, he can actually kill Fei Xiang by himself, right? Why did she take so much effort to call everyone over? Although the sparrow monster is a wild monster, it feels like it has completely suppressed Fei Xiang, right? Yang Mi brought a bunch of people, especially Feng Shaofeng, for Mao?
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