The active elimination of the plot of "Dangerous Love Hour" is equivalent to shifting the focus to the creation of the scene more than 100 times than ordinary films, and it is also 100 times more dependent on it to capture the audience than ordinary films. On the one hand, it is due to Tony Scott's directing style, and on the other hand, it has Hollywood's first-class execution precision and technical level as the foundation. "Dangerous Love Hourly" is a film that relies on editing and a large amount of material in the early stage. A large number of shots from different angles, different scenes, different levels and different styles express the progression and change of the crisis. It is both narrative in the high-speed progress. With the dual function of atmosphere rendering, scheduling and shooting are extremely difficult. This reminds me of "Excellent Love" I just watched two days ago. In many parts of the film, Chen Yili worked hard to manage fashionable colors and rhythms, which is considered a qualified work in Chinese movies (just saying that Director, as for the script, it's a mess), but the film can be regarded as outstanding. Technically speaking, it is nothing more than shooting some still lifes and cutting out some movement, and most of the MV-style paragraphs are purely to exaggerate the atmosphere and do not assume a narrative function. , Compared with "Speed of Dangerous Situation", its difficulty and ease are almost incomprehensible.
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