I don't remember whether I watched it in middle school or high school. The first time I watched it was on CCTV, and I only saw a clip, that is, Liu Chun pulled out the D major violin concerto while crying at the train station. At that time, I was only shocked by the strong visual sense. Later, although I didn't know how to surf the Internet, I went to the place where I rented the discs based on my memory to describe the scene I saw to the boss.
I can't stop the tears in my eyes when I think about the movie at that time. After many years, on the other side of the distant continent, when I think of my father, I will think of this film, and I will burst into tears because of those plots and scenes.
I still remember Liu Peiqi holding the baby at the station and anxiously shouting "whose child is lost". The crowd walked in the opposite direction of him, creating a huge contrast between the indifferent crowd and the anxious Liu Peiqi. The fate of this child, only this humble man cares, and after that, the fate of the two people is firmly tied together.
Chen Kaige's use of contrasts in this film is simply superb. The black and white, love and hate of this world have nothing to hide.
Liu Peiqi was inside, always proudly saying "our family Chun'er". He gave everything for their family Chun'er and worked hard without complaining. First ask Mr. Jiang to accept Liu Xiaochun as his apprentice. Mr. Jiang, who has a rebellious personality, made Liu Xiaochun understand how to integrate the passion of life into music. Later, after listening to Professor Yu's concert, Liu Peiqi begged Professor Yu to accept Liu Xiaochun. Professor Yu wants to obliterate the performer's life and turn it into a blank sheet of paper in order to reproduce the soul of the original piece in the classical music. This contrast of putting and closing is the biggest contrast of the film - the collision of sensibility and reason.
Liu Xiaochun followed his father out of the small town to the big city. He faced a real and cruel world, a world full of variables. He is constantly choosing. In addition to the comparison between Teacher Jiang and Professor Yu, he also saw the contrast between poverty and wealth in Lily, the worldliness behind Professor Yu's nobility, and the nobility behind Lily's worldliness. Between him and his classmates, he faced the contrast of rebellion and submission.
Some people may say that this drama is quite satisfactory, from succession to succession. But just because Liu Xiaochun finally gave up wealth and chose poverty, gave up reason and chose love for his father, gave up obedience and chose rebellion, gave up hypocrisy and chose truth, I want to applaud this drama. The world is gradually losing its original appearance, but people always have the most authentic power in their hearts—this kind of moving has brought me hope of life. Evoke the best of human nature, and as long as it does that, a movie can be called a classic.
I hate people who like to judge movies from the technical heights by pretending they are critics based on their knowledge of a few movie terms. Those tears soaking napkins in the cinema are undeniable, the trembling heartbeat in the Violin Concerto in D is undeniable, and the truth, goodness and beauty still hidden in the heart is undeniable. This movie has brought infinite moving, 10 years later, it still evokes my love and miss for my parents, it deserves five stars.
Liu Xiaochun finally ran on the streets of Beijing. At the train station where Liu Peiqi found him, he played a song with the most sincere love for his father. It was the most perfect stage and the most perfect performance. Secular evaluation of success, applause and flowers, no longer exist. Gratitude for family is the highest praise in life.
I sing about this movie, I sing about the most beautiful life.
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