In a film that is particularly particular about the camera lens, within a single shot and a single scene, photography achieves both hidden and visible, that is, to adjust the rhythm, improve the narrative, and express the theme and connotation. The pictures inside have a poetic fairy tale color, and the perspective shots of the two people are handled beautifully.
But the way the director tells the story is something I don't really like. This big rhythmic line between two soulmates isn't very good.
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Sundays and Cybèle reviews