The heroine said: "Having to lie for 7 years is a thousand times worse than being guilty...Even if I kill him, I don't need your mercy", the hero said: "I don't care if you kill him or not" Of course he doesn't care, because in his eyes, "Women don't have souls, and I can't use my soul to communicate with you... Don't play Joan of Arc, feminism, lock me up, just to avenge the injustice I've suffered. ... Stop playing nobility with me, use your son as a shield, you are not a virgin... What do you want from me?" "I hope you will be locked up forever and never come out again, in exchange for what you have Sin - if I stay with you, you'll get tired of me soon, I'm 33, which is young for a man, but I'm old as a woman." The psychiatrist asked the male protagonist, "Who do you think is easier to forgive, ugly girls or beautiful ones?" Indeed, the fundamental inequality between people is the root of all sins.
The relationship between the hero and heroine is like the hero and heroine who are in a half-life relationship in "Modern French Erotica". As soon as the male protagonist appeared, he was in an inexplicable mental hospital. When he woke up, he found that his life had already collapsed, and he had nothing, just like the ruins after World War II. And the heroine is like a drawer with a pistol hidden in it, storing all the secrets, she burned the anger of her father, that is the last dignity of human beings, it can only belong to the dead, and cannot be known by the living. The daughter is the last guardian of the father's dignity, if she doesn't burn that last word, evil will be born in the world, that's why she can't live with the hero, because they are the representatives of inequality, and the things that are not equal together are Birth of sin.
The heroine said: "If I kill someone, my heart will bleed", the hero thought he would not care: "No, I will hold your heart tightly like a bird" Actually when Problems occur when they get along. They are together on a deepest level, so that they cannot touch each other like ordinary people, but can only achieve harmony by confronting each other.
At the end of the film, the male protagonist brought the little boy to the museum and said to him, "I can't replace your father, grandfather," and the little boy said, "They are all dead." Yes, everyone who lives should live because there have been enough deaths.
The male protagonist said to the little boy: "You understand, what has passed is not the same as disappearing, it belongs to us." I often wonder how a survivor of a concentration camp in World War II should live in such a numb contemporary world, or he Choose to commit suicide, or choose to fall in love with the world. Once witnessed the destruction, in a new world, he will choose to crown the world, just like letting the hero and heroine walk into the palace of a new life, let everyone bathe in happiness and become the king and queen under the sun.
PS: When the father publisher took the manuscript and left, he stared into the eyes of the heroine, just like the hero of "Sentinel" stared into the eyes of a French diplomat at the end of the film, that is, through the corpse, into the eyes of eternity.
That's the perspective of a guy like Desprichin, and I like what he sees.
The following is the dialogue between the two ends, which is very beautiful and profound. It is excerpted. Thanks to the subtitle translation "COSL-YTET" team studio and the translator and proofreader "Yes".
The father's last words to his daughter in his own book, which were torn from the original manuscript by the daughter and burned alone: "...I am guilty, I made my little daughter proud, and I appreciate your so much Pride. Like curdled milk, your pride fermented and turned into numb hypocrisy. Suffering came suddenly today, child, it's okay, you're my daughter, be strong like me. Do you think a wry smile can hide your joy? You are happy because pride makes you weak, but suffering gives you great strength. You were so submissive, until I discovered that beneath your submissive exterior hides a strong will and a desire to destroy my heart. You frighten me. I hate you! My little girl. I'm dying, I'm going to die and you're alive, and I don't find it fair. It's just that if you get my cancer and you're sick...only if I have time , I can forgive you after you die. Therefore, I will die without resting my eyes. I can't stand me dying in front of you, and I want you to die for me... Hehe, although it is impossible."
kiss forehead). Do you understand, the past is not the same as disappearing, it belongs to us, it belongs to us is the memory, the memory we share. Incredible, isn't it? Because we have different surnames, I've been taking care of you for seven years, a long time, but it's over. I'm going to tell you what bothers me, first of all you're an introverted little boy talking to yourself secretly. That's not a weakness, it's a quality. As a young boy, I couldn't speak freely, so I used to stutter a lot. In your case, you're just a little reserved. In return, life gives you an abundant soul. That way, when you're feeling lonely, you can step back into your inner world and chat with your imagination. I remember the poems you wrote in elementary school, you were a real poet. But as you can imagine, that doesn't always bring you joy. A wealth is a good thing, but it shouldn't be a burden. If it becomes a burden, it binds your mind, it hurts me, and I want to free you. And I wonder what kind of fear and anger is keeping you from the world. Personally, I'm also quite an introvert. And I think, as an introvert. I can give you some advice about going to school. Loneliness is a big problem, and difficult problems like this are not easy to solve. Many people are introverted, like Batman, you talk about him a lot, similar serious face, like to keep a secret. The same fear turned into great courage; like Peter Pan playing with lost kids; Baron in the tree, great book. I love Baron because he reminds me of my tree in Roubaix, Do you remember? (Of course, Roubaix's big tree) There are many other introverts in the book and in life, but that's enough proof that you and I aren't the only ones. I want you to see the doctor with whom we get along so well, a child shouldn't just talk to his mother. It's great for a mother to raise you, love you, be loved by you, etc., but she's not enough to grow you, you need other adults to help you grow. So you should not indulge in the love between parent and child. Maybe you didn't feel it, but that scared Nora, and Nora might think, oh god, am I a good mother to Elias? Let's go to the doctor. Then you'd think, it was Nora who needed the doctor, not me. It's smart that you can separate her thoughts from what you want, and in a way, you're right. But... Now, I'll give you a piece of advice: of course, we're always right, but we can also make mistakes, and occasionally some mistakes are good, which means there are things you don't know, and life like that will More interesting and more surprising than you think" (End)
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