2. When someone close to him is close to him, he is uncomfortable (on the sofa, Qian Qian sat down, and the male protagonist moved)
3. Sexual addiction, but does not reveal his deep emotions, has a strong sense of morality, but is very intoxicated Because of the feeling of depravity (knowing it's wrong, I still go crazy)
4. Educating my sister "u know he got family", but the last scene of the film is to chat up the wedding ring
on the woman's hand and say "actions come, "not words"
and "actions come, not words" is the contrast of the younger sister calling ''need to talk to you'' before committing suicide. Talk is just the opposite of action. The younger sister wants emotional interdependence, communication, "we 're a family"; then said, "We are not bad people, we just come from a bad place", the bad place here may be the environment, or the bad past (?); "Thank you for letting me Sleepover" means thanking him for the support (including an intimacy like a previous hug on the couch).
The male host blame sister "Put me into a corner, I'm trapped," "a burden", fear of intimacy in interdependence and reliance
6. Some very details of the place, such as attendants keep interrupting, etc., The focus may be on the male protagonist's feedback performance, consistent, elegant and generous like other "upper/middle class" people in the New York restaurant sounding
7. The black girl said, about marriage, "try it, but it dosen't work out" ; In the later conversation with Qian Qian on the sofa, Qian Qian also said that "she did not do well, but she tried", the contrast is that the male protagonist never wants to try, and it seems that he can't, he is afraid of the final loss of the deep relationship ( The continuation from love to boring is unacceptable)
8. Fear of mutual boredom in intimacy (that is, seeing the bad side - "Pursue perfectionism, because you are afraid of the possibility of bad, simply don't try)
9. There are two obvious emotional expressions in the film: 1) walking on the street after dinner with black girls, laughing + foreplay with black girls; 2) listening to Sissi singing in the bar
10. When my sister broke into the bathroom , The reaction is very big, there are two explanations, 1) Rejection of breaking into private territory (equivalent to intimacy), not allowing others to interpret him (so he always has the same smile, elegant demeanor), do not want others to step into his Dokan; 2) He likes his sister (most people understand), but I don't think I can explain it. The only place where there may be that kind of emotion in the whole article is the irritable reaction when the sister goes to bed with the boss after drinking; he is afraid of losing Akane Akane, but she doesn't want to depend on her emotionally , so she will blame her for "dependence"
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male protagonist has a mental cleanliness, the reason why He is portrayed as a male protagonist whose words and deeds are inconsistent. On the one hand, the director wants to emphasize people's moral awareness, and at the same time compares the real moral awareness (the male protagonist's) and the false moral awareness (the boss criticizes the male protagonist in the office), on the other hand I think the value of "doing poorly, but trying hard" like Sissi is worthy of recognition; it is worth mentioning that the background of the story is "gloomy New York", and the male protagonist and Sisi are from Ireland
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