The clipping of the two escaped time periods before and after the film does not show too much show off; many shots from the back of the characters are more restrained than hiding the characters’ hearts; the dialogue between Brandon and the black woman in the restaurant is also a scene. In the end, but the slow zooming in makes people ignore the director's function behind the camera; most of the films in the film are indoors, subways, bars, night venues, and streets in the dark, and only a few daytime scenes are full of gray, showing It is the protagonist's inner struggle that gradually becomes clear.
Brandon relative to the audience is like Sissy relative to Brandon, a kind of inner projection, shame itself is also a kind of inner "shadow".
Michael Fassbender has indeed contributed acting skills comparable to "The Hunger". The director has many long and paragraph-filled scenes that are not just enough, and the rich close-ups from different angles are even more expressive. With ease, the countless close-up muscles of the back appear to be different.
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