In addition, Hugo Xiaopingyou can be regarded as the embryonic form of the backbone of a generation of French films that received the magical stage + film technology that Meili loved, and the creation theory of unconsciousness + myth. Before the film as a medium, they might be homeless people on the streets, workers in factories, or even thief all year round, a group of out-and-out anarchists (so you know why Godard was once eroded), and these In essence, people have found the home of their souls and released their excess youthful vitality in the film. Therefore, they have made a huge contribution to the restoration and continuation of the film industry. And through the later abundant film history proves how the film industry and machinery became spiritual tools.
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