1 Some people think that the plot of this movie is a failure. Chaos, looseness, no inevitability. But to be honest, if there was no plot at all, I would have rated it the same as if it had. You can think I'm making excuses for all the B-movies. Not everyone can live in moments, and not everyone likes watching movies that live in moments. For some, it's like essentialism, trying to find the most "fundamental" thing. When the film rushes over and tells the audience that the so-called "root" has been executed by them in nomine patris, some people will panic. Plato would panic. But there is no perfect plot. The looming sense of structure in each movie is the root cause of the illusion that "there must be a plot". (My idea is very contradictory to his only themes, but Rocco said that god works in mysterious ways, so just feel it. Feel every wonderful moment it brings to you.)
2 The prayer
3 The deleted scene where the two are naked, lying on top of the other to answer their mother's phone, and who is the older brother and who is the younger brother. I can write 10 points of this scene alone... Murphy's final expression can really leave a lot of room for reverie for the rotten girls.
4 Murphy's mole, Murphy's tattoo, Connor's rope (== hey! you and your fucking rope)
5 Many people feel that doing things for God is an unpopular theme in the postmodern world. However, it is a question to what extent to refer to the "flow" when appreciating the theme. You can buy the postmodern account, but you can't change the reason why human beings like the so-called "fundamental" that even psychology can't explain. This contradicts Article 1. But contradictions can't stop me from YY. Or as Rocco said, god works in mysterious ways. You can't stop God from ignoring all kinds of paradoxes in human beings, logically unreasonable, because logic is the child of time and space. And time and space are the children of God.
6 And some people think Connor and Murphy are cute together. How big is the heart, how big is the cute point... It should be.
7 sense of rhythm. If this is really a bad movie, someone can explain to me where this sense of rhythm comes from. Even if it is really a sense of rhythm that comes from sleazy means such as slow motion, I still buy it.
8 The girls of us watched it together, and we all thought the two brothers' French, German, Russian, Italian, Spanish, Gaelic, and Latin were very sexy. And of course "Aye" and accents.
9 If you decide not to watch it, please watch at least the ending court scene, about 3 minutes, which is real work of art. It is the real realization of the re-establishment of the wrath of God upon the law of man. Law and anger are often two attributes that heroism likes to adopt. Aesthetically, it is the collision of Apollo and Dionysus. When Connor and Murphy hopped on the table, the acting, the camera roll, the soundtrack, and the line "we will send you to whatever god you wish" smothered my emotions in a way I've never seen a movie. past affinity. Even though the swiveling camera made a good friend of mine think of watching too many K-drama confession and breakup scenes - to add to the drama, but I felt at the time, I didn't know what it was, whether the fourth wall disappeared or The "me" of the audience disappeared? Even a scene that is so dramatic in itself, and I believe the original intention of the director is to hope that there is no fourth wall, but to bring this immersive feeling to the audience. The emotional explosion at the time was a kind of crazy selfless but infinitely amplified sense of security, because the only thing in my mind was: Without me, just here and now in court. This artificial force can convince me that it was and will always be there. Makes you feel like there is something in it.
10 are 9, really have to see it.
View more about The Boondock Saints reviews
