The only thing that matters is what you choose to be now.

Almost follow the original crew of Shangji. Although the director has changed, Jennifer Yuh Nelson has served as the story director in the first episode, so it can be considered the same strain.
Overall, DreamWorks maintained the level of the last episode. The style is still "Chinese", the lines are still funny, the fighting is still fierce, and the theme is still profound. Panda has become a hero, this time the task is to explore his life experience and know himself. The screenwriter cleverly linked the hatred of the country and the family, so that Po also solved the mystery of his life experience in the process of acting as a chivalrous person. This time, the big villain Peacock is a sinister who is attacking hearts and minds, which undoubtedly aggravated the ups and downs of the boring Po, and even got lost for a while. The peacock's weapon is the cannon, which is the eternal pain of the Chinese people. Po finally realized the state of mind as still water, and using Tai Chi magic to turn things around, although it was enough to relieve Qi, it was not a correct solution. In the face of strong ships and sharp guns, the purpose and form of kung fu need to be reformed, and there is only one dead end. In contrast, the Once Upon a Time series is more credible and reasonable.
New Chinese elements are constantly being added: pipa, silk, big bell, vegetable basket, kite, dragon dance (although it is a worm), rickshaw, beauty mole... not to mention the magnificent palace gate city. This time, there are more fighting scenes and more characters, making it even more enjoyable for kung fu fans. And the role of the Five Heroes did not drop but increased, thanks to the increase in gang fight scenes. In the end, even the master came out, and it felt like a group of people in an online game were collaborating to brush equipment.
After the previous episode broke the box office record of Chinese domestic cartoons, this episode is even more convenient, and finally increased the record by more than three times, almost hundreds of millions of dollars. This Chinese style has also swept the world, making fledgling Korean-American female director Jennifer unexpectedly the highest-grossing female director of all time.

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