A woman pays a gay man to spend four nights with her, while asking him to look at her nakedness and listen to her pain as a woman. I don't know how much the translation matches, but what I see is philosophical and obscure. Although sex is always inseparable, it is a discourse that is not provocative at all, depressing and painful.
On the first night, the man walked from the room to the beach. Facing the dark sea, a narration sounded. A woman is like that dark sea, she will devour everything a man has. A woman once said that a woman's genitals are like the sea, which greedily and obscenely extracts men. The man returned to the room and smeared blood red lipstick on the woman's greedy mouth. That bright red color seduces men's desires, even the man who hates women most thoroughly can't escape the two bright red mouths of women. That night, a man and a woman had a sensual relationship. The woman woke up and saw the man crying. Men are defeated. This man is nothing more than another defeat under him. But it was only the first night.
On the second night, the man came to the woman's room. Taking off the woman's clothes, he went to the kitchen to get a bottle of wine. The difference from the first night is that tonight he took the initiative to take off the woman's clothes and took a bottle of wine instead of just a glass of wine like last night. Tonight, the man did not have sex with the woman. But he used an iron fork, and replaced his genitals with the wooden stick of the iron fork and put it into the woman's body. Women think this is the original desire of men, the desire to kill women. The extraction between the sexes is just a means for men to kill women, but men also have a strong possessiveness towards women. Women say that men use all kinds of moral thoughts and marriage relationships to lock up women, but they only want to monopolize women. Men are inseparable from women. The man lost again.
On the third night, the woman started menstruating. Bleeding from the lower body, it was sinful blood, obscene blood, and there were always days of the month when women were told that they were sinful. This is the helplessness and pain of being a woman, but a woman doesn't care, she mixes blood into clear water, and her sins are melted into the water. The woman handed the blood water to the man, and the man drank half of it.
On the fourth night, the man entered the woman's body again, and the gay man was defeated by the woman. When a man pulls out his genitals, menstrual blood and semen flow out of a woman's genitals. Women laugh at men, laugh at men's cowardice. Men think that the blood on their genitals is their own blood, while women bleed blood from their own bodies a few days a month. A man's cowardice has also become a woman's revenge on a man.
A man can no longer forget a woman. He is completely defeated by a woman's mind. Even if he tells himself that he can forget this woman who doesn't even know her name, he still walks to that house. Footprints were left in the corridor that had been through for four days. What was left in the room was a tattered bed and a sheet with a woman's menstrual blood. What is very magical here is that the camera cuts to the man coming to the seaside, seeing the woman, and pulling the woman out of the sea of greed.
The film goes too far with the flesh to interpret the relationship between the sexes, expressing the powerful thoughts of a woman. The woman likened her genitals to a bird trampled by a boy, a patient curious by a boy, and the dark ocean. The boy once carefully took the bird down from the tree, the boy climbed down from the tree, and the bird was dying. The boy threw the bird to the ground and trampled it to the ground. Isn't it the same fate for women? He has been cared for in every possible way, but he has not been ravaged by men since then. The boys tricked the girl into the grass, the girl took off her pants, and the boys acted as doctors to check the girl's body. This is also to imply that men have always been curious about women's bodies. Just as a man puts lipstick on a woman's lips, their curiosity is always at work. Even this man who hates women is nothing more than that.
Catherine uses savage language to complain about the inequality between the sexes, but she also bears the infiltration of women's thoughts as dull as the male protagonist. Men have always been treated as a non-resistance character by her, and men are such an expressionless gender symbol from the beginning to the end. This is what is called barbarism.
Although the two had a sensual relationship, they only started their first kiss on the last night. This is also a hint that a man falls in love with a woman, and that the woman beats the man down through her own flesh. But a man is always an animal unwilling to admit defeat, he pushes a woman out of the ocean.
The lighting in the film is pale, the man has always been wearing an off-white suit, and the woman's body is also white. But the white suit wraps the raw desire of the flesh, and the white body contains endless obscenity, the desire to suck men. The lights in the shot are just a wall lamp on the wall and a table lamp beside the woman's bed. The only natural light in the film is the morning of the third day, the night before the man has not had any sensuality with the woman. Sunshine also hinted at the men's victory on the second night. White is also not a symbol of purity.
It is reported that the two protagonists of the film are French adult film actors, but the information of the heroine has been searched. In fact, some French films have also been filmed. There was once a collaboration with Sergi Lopez, the leading actor of the Caesar Award. But viewers are often more concerned about the film's frank body language, and there have been doubts about whether the two's erotic scenes are real. Afterwards, there was also a controversial film "Nine Songs of Lust". Although it is also famous for its scenes as real as A-films, "Anatomy of Hell" is more directorial. It is a matter of opinion whether to accept this feminist thought or not!
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