Please ignore the above paragraph, only the last sentence is the point.
In other words, it is a process in which a small Hergès European-style humor turns into a Hollywood-style commercial bust.
How could Tintin, for example, be so neurotic as a murder detective? How is it possible to have a high-intensity adventure without interruption? How could there be such a bloodthirsty thing fighting with a crane? Or what about the still-blooded thing about tanks crashing through a lot of houses along the way? These are not things that Hergé can paint. He paints Snow White who is drunk and sees two dicks and asks a question mark, and Snow White is so happy when she sees the creek A piece of mud like this, or seeing the statue of the captain on the island and complaining that it must be an aboriginal who saw him yelling at me to ask for rum, such a ridiculous joke, and the whole island is taught badly and will only say Dirty parrot. Even if someone was shot at the door, it was only a matter of two squares: "Bah!" "Falled", and then Tintin crouched next to the person who was shot with "interest" and groped around! But in the movie, Hollywood shoots N multiple guns in a row and let the door open and sees a terrifying figure standing up and slams down, and then! then! He will also mark the newspaper with blood! How did Hergé do it? He let the man live in the hospital without being beaten to death and be able to speak... It was solved with a swipe, there is no such thing as blood to mobilize emotions. Furthermore, changing the attributes of the characters has fundamentally changed the sense of thrilling story that has weakened the drama. The charismatic sharp-bearded professor who plays soy sauce has become the villain (two greedy guys directly become sailors?), and the butler has become "The descendants of the former first mate have been waiting for the orthodox return of the captain", the treasure sought has changed from a globe to four hundred dan, and the main story line has become revenge and fate! I, I, I don't even know where to start! ! ! !
It's just too many changes in detail, and the use of close-ups, high-speed motion shots, and long fights (really, Tintin always settles it in one go!) Spielberg finally made Tintin seem seamless. Adapted - in fact, it has changed the spirit of the inner and the middle, a cultural difference separated by the ocean?
In fact, when I first saw the professor buy a boat and say a double and then report the number as you like, instead of the original doubling, I had a hunch that this movie would not be like Hergé (actually The poster also suggests this...), but a Spielberg like Hergé would never have made it, like a Jurassic Park like My Uncle? But to take a step back, it's not easy to make a commercial film like Hergé's diligent and cheerful narration of adventure and wit in a light-hearted tone.
So it’s great to be able to shoot like this, and it’s not bad for Tintin to be making a fuss in Hollywood~ I’m generally very happy with the brain-damage fans. Anyway
, according to my always low standard scoring method, this title can be liked. So far, then Indiana Tintin, who has nothing to do with Hergé, oh, no, The Adventures of Tintin, just because it didn't make Tintin fall in love in Hollywood, brush machine guns and beat aliens, I'm very moved, plus Very youthful, enthusiastic, and with wavy hair (at the beginning of the flea market, the person with his hair turned upside down in the mirror is in good spirits!) The production technology is also very high, super, super, super, and can give five stars!
I really like the title, but the soundtrack feels like a duck detective hahaha.
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