Maybe it's because I haven't read the original book. My dissatisfaction is that Captain Haddock is like a madman, and his personality is too exaggerated and unacceptable. The action is sometimes too unrealistic. Why did the captain sit on the head of the gray plane and was struck by lightning, not only without focus, but also with more vitality? There are too many movements beyond the physical limit in the movie. Barely an exaggeration of art to make people smile. Tintin's hair was about to be tangled in the second the propeller cut his head, but the captain immediately saved him - the routine of hanging by a thread was not surprising to Spielberg.
I'm just picking on the thorns in the egg. In fact, this film has been done perfectly. I think so far, this film has reached the limit of what animation can express. The most awesome thing is the final chasing eagle clip, which lasts for a few minutes and is very long. Only animation can have such a free shot. I can't recall how this shot was drilled and moved up and down. The next one is simply superb, and it seems that the self-proclaimed technician's skill in using the lens is close to the Tao. I was stunned.
After watching Siran come out, the Chinese brothers Yong Ge, Hua Zai, and Li Ge all said that it would be better if it was a live-action version, and Minmin suddenly said why not applaud, such a good movie. As soon as I patted my head, I forgot. Before I went this time, I swore that even though there was a danger of being dismissed as 2B by some young people, I would applaud. But after reading it, I forgot to applaud, perhaps because my mind went blank after watching it.
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