Compared with the first two samurai works directed by Yamada Yoji, "One Point of the Samurai" is more delicate but not rough. Kimura Takuya's cheeks are too handsome, and the countryside scenery is too gorgeous, but it is far away from the era of sword fighting with the vicissitudes of life. romantic nostalgia. Having said that, how to express the real sense of the times can be called real, which is also paradoxical. In any case, let alone the roninist spirit of the Japanese country, even my father’s agricultural life in his early years could not be imagined. The time between father and son overlapped with each other, but the vast majority of what exists in the father’s physique is not what I have experienced (FM pop music). How to be completely defeated by AM's nonsense about plaster advertisements), just like the current life (globalization, Internet vocabulary and the role reversal of Taiwan-Strait relations), it will also become an incomprehensible history. We mess with each other, spend the day together, forget together, and fabricate the reliability of the future together. Feelings are true, memories are false, trying to clarify the truth and credibility, Xu is the biggest paradox and contradiction in life.
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