Death Comes 1 and Death Comes 3 are the works of director Huang Yiyu. Huang Yiyu is a director of Chinese descent. In addition to the classic Hollywood horror scenes in the film, there are also horror elements of oriental horror films. The horror movies I watched before, such as ghosts in my heart and searching for someone in the deep sea, have their own characteristics, but the quality of the movies is not the best. Death Comes is a classic among classics. I don't like watching horror films. I always think that horror films are commercial works, purely pursuing visual effects, and everyone will ignore the quality of the film. Anyway, the audience only needs to watch it with an attitude of appreciating entertainment. I never thought about learning some knowledge and getting some inspiration. The release of the Grim Reaper series has changed people's views, from the first to hit the top of the ratings to the applause and hits, known as a classic, and created a new river in the history of horror films. The screenwriter of the film is amazing, the director of the film is bold and innovative, and the actors of the film are full of difficulties. Only in this way can a good work be made. When the god of death was released, it was decided that it was a good work, which is like Some hints in the film. The biggest attraction of the Grim Reaper series is also that there are many mysterious and wonderful hints. In Death Comes 1 and Death Comes 3, the director's outstanding talent is fully displayed, and one work pushes him into the ranks of masters. The two works have stabilized his position as a master. It's like a truth, the value of making dozens of bad films is not as high as the value of making one good film. People will remember the latter and forget the former. Death Comes 1 is a small-budget film, but it caused quite a stir after it was released in the United States. It is a rare horror blockbuster. What's more worth mentioning is that Death is coming from the hands of Chinese directors, so the Asian horror in the film is full of flavor, enough to make people shudder.
The biggest innovation in the film that is different from the past is that the protagonist has the ability to predict danger, and the foreknowledge and hint before the arrival of various dangers has also become the biggest highlight of the film. Later series inherited this thread, the protagonists have the ability to perceive danger, and various scenes suggest that the tense music and the constantly appearing dark shadows and dark winds bring people into dangerous horrors. For example 1. The wing-like image reflected in the window, which seemed to sway wobbly in the rain, foreshadowed a subsequent plane accident; the mysterious salesman at the airport told Alex "Deathisnottheend." (Death is not the end); Alex turns back, the timetable says TERMINAL; the lyrics sing "I see fire rain from the sky," etc. After that, the plane went out of control and the plane exploded. Afterwards, the 7 surviving people all died mysteriously. Some slipped in the bathtub, were strangled by the wire hanging from the clothes drying wire, were suddenly hit by a car, were unprepared in front of everyone, and were stabbed in the neck by fragments of the monitor. Killed by a falling knife. . . Later films had more daring innovations, resulting in more accidents. All kinds of strange ways of dying give people the fear from the bottom of their hearts. The design of death mode imposes the impermanence and helplessness of life on everyone, and the audience can easily feel a sense of substitution; and the failure of the protagonists' self-redemption also conveys to the audience a deep sense of despair, and a sense of fear arises spontaneously.
Death is Coming 1 is a scene where seven survivors face death after an air crash. From the initial explosion of the plane to every subsequent death scene, the director is perfect. Everyone's death is a mystery, everyone's death pushes the story to a climax, the interlocking death design, the death moment of excellence, and the bloody way of death make people immersive, feel terrified, and refreshing .
I like Ali Larter from Reaper 1 and 2. In the first part, she was the absolute star. She used her sensitive and deep eyes and sensitive and deep brain to perceive danger throughout. Her mature temperament can quickly lead us into the plot, and I think that's why the director chose her. I really like her temperament.
The third, the most successful, tells the story of death caused by a roller coaster. It perfectly inherits the Asian horror style of the first part of the death of the gods, and the plot coherence is also the best in the series, and it pays attention to details, hints and atmosphere creation, and also adds many innovative parts. The way the characters die is The whole audience is recognized as the most creative, and the hints are also very secret, and the various horror scenes are very close to real life, but also beyond the audience's expectations. After watching Death Comes 3, I never dared to sunbathe again. It turns out that the details determine life and death. Some inadvertent living habits can ruin our life. In fact, more terrible than death is habit.
Death is an unfinished matter, and filming a death movie is an unfinished matter. If life is still there, you will cherish love, friendship, family affection or justice. . .
Under the plot design of Death Comes 2, the protagonist with the ability to foresee once made the audience full of confidence and hope in his superpower, but at the same time, the film will create an atmosphere of almost absolute fate on the opposite side, making people believe that The doomed death must come. What is even more attractive is that in the process of alluding to the struggle between man and fate, although the imaginary death is not materialized as vulgar, it also portrays him from the side as a conspirator of a cold-blooded serial killer full of anger behind the scenes. image. This mythical demotion activates the struggle between the protagonist who has been upgraded with superpowers and the imaginary enemy, "Death" in the film. So much so that the film hardly needs to make too much exaggerated description of the bloody scenes, it can already deeply capture people's fear of the unknown world of death, and make the audience have unforgettable horror emotions about the unlimited pursuit of death. The film is the second part of Death, and the plot is completely copied from the first episode, but the plot is tense and rhythmic. And the death design is the most innovative.
We can't change what Death decides, but we can save our own and others' fate as long as we pay attention to some hints. We cannot change what death decides, as long as we help each other, we can decide our destiny.
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