If a Hollywood studio reviewer saw the first few pages of the script, they would probably have to throw the script in the trash. Because this is a fully-fledged author's film of a European art film. I think Valérie Donzelli already has his own style - optimistic attitude throughout the film; interesting supporting characters; indispensable and even a bit blunt singing passages; changes in the relationship between the two characters that never change: see the film It seems to revolve around a child's tumor, but it is actually a change in the relationship between two young people from the passion of the party to the characters who eventually become family. Grasping this point, the emotion of the whole film becomes concentrated, and the resonance also arises spontaneously. It is very risky to use novel or even weird music for different renderings in the emotionally extreme passages, but the effect is very good, because the innovation of the film is probably all experiments in this form of expression, because of the emotion of the story. It is the most ordinary and touching emotion.
The director is the wife, the screenwriter is the wife and husband, and the film is dedicated to his son who is babbling. The most personal feelings can be shown to the unfamiliar souls in the cinema through film language, probably the author of the film. The greatest charm and the greatest magic.
I've been embraced by the power of this love even after I've stepped out the door. I think there must be a lot of non-emotional pure production skills for this film to be released, but this film has not compromised on anything, retaining the most sincere emotions and finally showing it to the client. It is conceivable that this kind of original How deep is the sincerity of making this film, to be able to break through many levels and still make me feel the temperature of its original blood.
I think, as important as production is, your sincerity is fundamental.
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