illogically weak

Sigurd 2022-03-20 09:01:28

The movie has two favorite actresses, a mature woman and a loli; the character positioning is also very attractive: how can our beautiful and kind elf queen play a cunning, treacherous and ruthless devil? And how does our lovely rib loli act as an extremely powerful female warrior?

Definitely looking forward to it. . .

But. . .

It really hurts to watch!

The cool style of pretending to be an egg can't hide the weakness of the plot and the lack of connotation; the editing that follows the trend can't hide the so-called change of various scene arrangements. The action scenes are also full of loopholes, and the logic also makes people feel that there are many contradictions; and it seems to be a foreshadowing deliberately arranged by the screenwriter and director (so that the box office can be good for a sequel?) It is also strange, and it seems to explain something that is not logical at all. . .

I can't understand it? Or is it really esoteric?

The role of this loli has been arranged so strongly, she speaks at least 5 languages ​​fluently, and her education since she was a child contains almost 100,000 questions. Don't even know the electric water heater switch (or even the latch?), but know how to hold a remote control and swipe the buttons everywhere?

In all the action scenes, Loli kept running away. I run away because I can't beat him, but every time I beat someone down and then turn around and run away, I don't understand? Do you just run because you want to arrange a run? Or to let the bad guys continue the following scenes? The most inexplicable thing is the last scene. After one shot and one arrow, is Loli chasing into the tunnel to find a mature woman? Or run in and have a face-to-face with someone and continue to run away?

As for the plot, the setting at the beginning was very good, but how could it develop so weakly, nothing was explained, and I didn't understand that it was for the sake of making a mystery, but it clearly made people feel that the mystery was bullshit. What kind of comrade-in-arms relationship is her father and her mother? Why are you running? Just because someone is chasing it? What did her mother mean when she said she couldn't get him? But what is the purpose of killing?

Well, let's break this down next time. But their grandfather's 17-year revenge plan was just to kill this woman? I haven't figured out the cost-effectiveness and purpose of this price. The most incomprehensible thing is that in 17 years, he actually planned such a straightforward plan with no technical elements at all. It can be said that this plan is not a plan at all. To put it bluntly, it is just one sentence: find someone and kill her! Then run. . .

I'm dizzy!

Writing this, I can also understand the part that I continue to fail to understand, is the screenwriter brain-damaged? Or a Lolita who can learn so much knowledge? And what about the brain-dead agent father who can teach her so much knowledge? I don't want to delve into it, because for their plan, there is no backup plan, no auxiliary link, and no means of contact, and they don't consider supplementary methods for the intermediate link of one kill, two runs, and three rendezvous. Those things that I don't understand at all, just leave them alone.

In short, after watching this film, I was so tangled that my brain, who likes clear logic, was twisted, so I had to say: Director and screenwriter, you are so talented!

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Extended Reading

Hanna quotes

  • Rachel: I feel so grounded in the countryside. The city stifles me, emotionally, creatively, spiritually. Places like this bring us closer to God.

    Hanna: God?

    Rachel: Well, not in any monotheistic sense. Buddha, Krishna, the god within. Whatever you believe in.

    [pause]

    Rachel: What do you believe in, Hanna?

    [gets no response, laughs]

    Rachel: Nothing.

  • Hanna: Come and find me.

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