As a simple story, this film looks wonderful through nonlinear narrative and is talked about by many students, but I think it is actually a piece of shit. The beginning of the film is full of suspense and even a little too much. When I almost gave up, the only film in this film appeared. The highlight successfully fooled me to continue watching. Then the director couldn't hold it anymore. The logic of the story itself became poor. After the two met at 508, the whole conversation had no logic at all. It was Terry who called us together. (The subtitle translation I read is a grasshopper on a rope) It's ridiculous to have to let someone else, Xiao Zhu, take a gun and blow that soy sauce and submit a name! Then Xiao Zhu kept saying ah, I have to leave quickly, I can't let others know that I have been here tonight. Why do you take 10,000 steps back and tell you that at most you can seduce married women to give friends a green hat It's just that the director wants to give us this impression) Julian called to tune out the scene of Hu Lishan and heard the loud lock on the door, so he should come out immediately to see the situation Zhu just disappeared, but when he saw that the elevator was still lit, he should rush to the stairwell to chase after him. Also, Terry's performance in the play clearly loved his wife, but in the end, he was portrayed as a successful revenge image. There is too much difference before and after the creation of the characters of Yi Go Deep Hidden Gong and Ming. As for the role of Xiao Zhu, it is basically so normal, but the inexplicable panic and worry in the last paragraph is a slot. Another slot is that Anna met Xiao Zhu in the elevator in the lobby. Zhu thought it was the third floor. Sister Anna, are you going up from the elevator in the underground parking lot? The appearance of the soy sauce brother who took out the garbage is the information that the director told us: I can't make it up, you can just make it up
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