I will think of those revolutionary films I saw when I was a child, all of which have the shadow of this film, which shows its influence. It's just that I didn't see the humor and enduring of ordinary people when I was a kid. Our story is nothing but hatred of the enemy and great and lofty goals because we have great leaders.
The sense of humor is really not something that can be found casually. Our nation may lack this kind of thing. The culture of thousands of years does not like us to indulge, and does not like to indulge our minds. Always bear responsibility and mission.
There are several places where people can't stop laughing, and then people are moved almost to tears. The priest went to the joint, fiddled with the sculptures of Venus (like) and Jesus, the whistling priest at another joint, the paralyzed old man who was stunned by a pan and pretended to be overwhelmed... The group of children just made an explosion, and they called each other solemnly. Comrade, then go home and get beaten up one by one before entering the door, and the whole building is crying... It
is only miserable when the woman who is about to get married is killed on the street, but then people gather in the church where the wedding was planned to attend the funeral Sadness comes from it. The priest finally faced execution, and the children gathered outside the barbed wire to watch silently...
The analysis skills of this film are superfluous. The mise-en-scène...a different way to tell a movie's story. In fact, Chinese left-wing films in the 1930s already had many similar themes, but the pursuit of real scenes and scenes was not like this. Realism originated from reflection after the war on the one hand, and conditions on the other. Films made by underfunded directors are clearly skewed towards this style.
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