adult, who is with you

Amparo 2022-01-27 08:24:40

At first glance, this is unquestionably an American themed film about justice, liberty, and the nation. President Lincoln was assassinated, the suspect was arrested, the most important suspect escaped, and the mother was arrested. In such an event that humiliated the dignity of the country, and at the same time did bring extreme turmoil and unrest to the society, the young American government sent the suspects to court-martial in the entanglement between war and law. According to judicial rules, Aiken, the lawyer who returned from the war, had to be appointed to defend the defendant. During the trial, Aiken abide by his own principles and did everything he could in the face of interests, emotions and various social pressures. Even the Secretary-General asked Aiken, do you only care about the human rights of this female prisoner, justice, or the country? Aiken didn't answer directly, just said, please transfer her to the civil court before noon tomorrow. When he knocked on the justice's door on the last night before his execution and persuaded him to sign to transfer Mary to the civil court, he still had the same question as to whether Mary had committed a crime: waiting for the court to decide.



The film is based on a true story and cannot create an overly dramatic plot. Then, when the moment of execution came, only Aiken was in Mary's sad eyes. Of course, she did not expect her son to come, because it was impossible. Eager to protect her calf, she didn't agree when her son wanted to sign up for the battlefield, so she understood, "I held my son too tightly and didn't give him a chance to become a man. It was revealed that he had assassinated the president. life is) to help him become a man".



At the end, Aiken comes to see him in prison when his son is caught 16 months after his mother's death. For such a son, Aiken had nothing to say, but just handed back his mother's relics to the still young boy in front of him. The boy said ashamed: you stay, you are more of this mother's son than me.



Aiken is oriented towards Lincoln, whether from a war hero or a lawyer background, and his reluctance to defend Mary is clear from the beginning of the film. He also had doubts about Mary, so he didn't, never said she was innocent. Then, he insisted on the most basic principles of justice and legal process as a lawyer, even when he went to challenge the mainstream of society like Don Quixote, he did not back down. He did the best he could for the task he accepted.



And what about the son? He knew that the government would not kill his mother as long as he showed up. He also knew that his mother would rather die than confess to him, so even if Aiken gave him the news, he backed away. Of course, the US government is very loyal enough to exchange life for another life, so his mother really used death in exchange for it. his life.



Does he love his mother? I love him, so he will ask his sister to burn the photo, so as to avoid danger, but unfortunately, as a willful little man who wants to pursue freedom but is unable to take responsibility for all the influences brought by his pursuit process ( Big boy), his love is so fragile and lacking in strength, when he needs to step up, can he do it? ? ?



Mom has only one life.



The slogan of the North American website is: A bullet hits the president, but not a man.



Not everyone has a rite of passage like Aiken. Maybe, more people may not have really experienced adulthood? In this increasingly affluent society, even if everyone is not necessarily so rich and happy in spirit?



Your adult, who is with you?

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Extended Reading

The Conspirator quotes

  • Reverdy Johnson: Could somebody bring me the transcript of today's trial?

    Edwin Stanton: Shall I read it aloud to you?

    [brings transcript over]

    Reverdy Johnson: Oh, Ed.

    Edwin Stanton: Your young associate is putting up a spirited defense. Reminds me of a certain lawyer I had to face 25 years ago.

    Reverdy Johnson: Ah, he learned to fight in your army. Can I get you a drink?

    Edwin Stanton: No, no. No. I won't be staying long. Reverdy... You've done so much for this nation as any man I know.

    Reverdy Johnson: Oh. Feeling's mutual, Ed.

    Edwin Stanton: Don't you think it's time for us two old war horses to call a truce?

    Reverdy Johnson: Not if you insist on staging this travesty.

    Edwin Stanton: This trial will do more to keep the peace than any paper treaty could.

    Reverdy Johnson: Heh. How'd you convince yourself of that?

    Edwin Stanton: Because justice, swift and firm will help deter the South from ever conspiring again, as well as discouraging the North from seeking revenge.

    Reverdy Johnson: What about the rule of law?

    Edwin Stanton: My first responsibility is to ensure that this war stays won.

    Reverdy Johnson: Oh, and this is how you do it, by keeping fear alive as long as you see fit?

    [shows headlines and stories in a newspaper]

    Reverdy Johnson: Look. "Stanton warns of future rebel plots", water supplies poisoned, firebombing cities, yellow fever spreading all over the place. This is a frightening country, Ed. And you don't need to scare us anymore.

    Edwin Stanton: And who is to say that none of these things could happen? The unspeakable already has- Our president assassinated, 600,000 dead. The world has changed, Reverdy.

    Reverdy Johnson: Abandoning the Constitution is not the answer.

    Edwin Stanton: You may prefer dining alone. I just hope your young associate does as well. If he pushes too hard, he will make enemies who will not soon forget. On this, you know I'm right.

  • Frederick Aiken: Sarah. Sarah, where are you going?

    Sarah Weston: Conduct unbecoming.

    Frederick Aiken: I'm sorry about the party.

    Sarah Weston: You think I care about the party?

    Frederick Aiken: Please. Everything will be all right. I promise you.

    Sarah Weston: You are just like that woman, ready to go to the gallows for the most pointless cause. People do get left behind when you do that.

    Frederick Aiken: I can't ignore what's going on in that courtroom.

    Sarah Weston: But you can ignore me, us?

    Frederick Aiken: I didn't say that. Please, I have to do this.

    Sarah Weston: Do you? I find your devotion to this frightening. I waited such a long time for you.

    Frederick Aiken: I'm so sorry. I know. But I'm back now.

    Sarah Weston: No, you're not.

    Frederick Aiken: I am. I-ple -

    [Sarah gets on the carriage]

    Frederick Aiken: Sarah, please, will you just - We have to - we have to talk about this.

    Sarah Weston: Fred, I love you. I - I wish I could do this. I just-I can't. I just can't.

    Frederick Aiken: Wait. Let me see you at home at least.

    [looks back for Edwin]

    Frederick Aiken: Please wait.