Maybe it's because I'm studying art, so I pay attention to a tune whether it's pictures or movies. This tone can be about the theme of the film, or the color of the film. Regarding hanna, what is the gist of the film? I thought for a long time, this is just a story about hanna, but the main point is unknown. Apart from hanna, does the movie have a stand? Oppose secret government human trials? Humans' destruction of the natural order will be condemned by God? (Besides the appearance of the deer, does it have other meanings? Maybe I'm not skilled enough, so I don't know.) Well, if the main point is not obvious, don't focus on the main point, this is a good-looking story! Well, does a good-looking story need a three-dimensional protagonist? Excluding the supporting roles, there are three main characters, hanna, hanna's adoptive father eric and the villain Marissa. The heroine Hanna seems to be strong, calm and beautiful, and the rest of her heart and character are like thin ice, which may be exactly what the director needs, but as the audience, we can't feel more than coldness; eric, except running Run, the relationship between hanna's mother and eric is also unknown. As a father, it seems that there is always something missing; Marissa is indeed the most three-dimensional character in my eyes. Neurotic, cunning, kills without blinking. I'm curious, if Marissa is also a cyborg like hanna, she fits everything~ As for her always asking "why now", it makes the whole story seem to have a story behind it, which makes people want to know. But until the end of the play, when Hanna with white characters on a red background came out, Marissa couldn't explain why she was complaining in her tone = = I think you have also discovered that among the three, it turns out that one of the three villains is the most three-dimensional, then Why is our movie titled hanna instead of Marissa? oh... maybe the director is for contrast~
Many people think that this film has no logic, and then many people jump out to prove that it has no logical loopholes, and I want to say that this film is obviously not made for logic. For example, after eric was shot by Marissa, why didn't the director give a long shot (the director is famous for his redemption long shots = =) to show eirc's last struggle (2 people who almost killed him with his bare hands) and his death gesture? Instead, I gave a still shot with a killed supporting character and eric on the rotating children's facility in the shot, logic? Did eric die on a children's entertainment facility? Hehe, Marissa is really childish.
The color of the film is very cold and sharp from the beginning to the escape from the base, black and white and gray, and until the escape to the desert, although it turns warmer, it matches the heroine's hair and clothes very well~ But at the end, the old amusement park, the weird house , what's up with the twinkling pink lights and the Langkou Cave? Compared with the tone at the beginning, it is completely two feelings, so far the tone is all stringed together. Not to mention that Hanna walked through a decadent and dirty street around 1:20:00. Those shots are almost obsolete and have no meaning to the movie... In the
end, let’s summarize, the shots are beautiful; the music is beautiful; the story is old-fashioned; Characters, pale; this is a one-and-a-half hour long mv, forget it after watching it.
ps: There will definitely be people spraying ~ I just feel this way, I didn't force you to agree, but welcome more tenable praise to shoot = =
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