I remember that in a certain issue of "City Pictorial", a special issue of the post-80s was made, and dozens of post-80s representatives were invited to do a one-page interview. Among them is a pie-faced Beijing literary and art worker who said: People are divided into three, six or nine classes, and the key is ability. The people under the imperial city speak really extraordinary.
The problem is that in the face of these children who have already stolen thousands of meters from the starting line, poor children actually have very few choices. They can use violence to solve all problems like Coughlin. Or, like Dough, struggle and then give up. Fortunately, if life is really like a drama, or there will be a beautiful girl with Stockholm syndrome and save his life.
I think the greatest significance of this movie is: to what extent can people overcome the environment? The reality is not satisfactory. But we can choose our attitude. Krista desperately fantasizes that Dough will save her; Coughlin wishfully thinks that loyalty equals everyone falling together. It is always easier to follow the trend. Not everyone has the courage to recognize reality. What's more, those outside the siege would only laugh when they heard that Dough was kicked out of the university.
Just like the wise Beijing literary and art worker above, "people are divided into different ranks."
Therefore, when everyone sees the FBI senior director being greeted cordially by Dough in the end, everyone feels happy. Yes. Go fxxx yourself.
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