This theatrical version is interspersed with many memories from the original comics. It played a role in threading the plot and also played a role in setting off the atmosphere. Compared with the previous theatrical version, the content should be closer to the content of the original comics. This has to be said from the following aspects.
One:
As the title name of this time, it is obvious that all the plots revolve around this "will of fire". In one sentence, the plot is based on the premise that Konoha's younger generation of ninjas inherited the will of fire, and once again saves Konoha and the great ninja nations from evil forces. This is not much different from the original work. It is a truth. The only difference is that Naruto insists that he firmly believes that it is wrong to rely on personal sacrifice to achieve the happiness of everyone. Therefore, Kakashi became the victim of this theatrical version. He stepped away from his responsibilities as a squad leader and exemplified a bad example of not solving difficulties as a team. I wanted to harmonize the boss alone, but let the disciple save it instead. The huge cup, this is obviously in the black Kakashi, the screenwriter is too bad...
Two: Ninja World War
"Ninja World War", as a main line of Shippuden, people will always talk about this word. In the comics, the same is true, because the comics plot has reached the stage of battle. And this theatrical version actually mentioned this "Fourth Ninja World War" (really everyone wants to participate in it, the enemy is just a monster and a few pets of this monster, and Madara can be considered a level- -b), different from the comics, this war is not a showdown between countries and bosses, but other countries besieging the country of fire. Just because the boss was born in Konoha, and it was already ten years ago, why would he be so censured, anyway, I can't understand. And this time, there also appeared the "representatives of various countries" that appeared in the comics not long ago. They interrogated Tsunade in vain. Tearful).
Three: Past and Conspiracy
A lot of past events were mentioned in this theatrical edition, which was regarded as a review of Kakashi Gaiden and gave Obito a precious time to set the scene. Even the classic words such as "Those who break the rules of the ninja world will be called garbage. But those who don't value their companions are not as good as garbage". I only knew it from the mouth of the earth, and this The words also became the "pretext" for Naruto to have the courage to go to the front line. As for Asma's, it's all about giving Shikamaru a chance to show his face. After all, there are a lot of people playing this time, and a team leader with high IQ is very important to the team GAME.
It is said that this theatrical version fits the comic plot, a big reason is because the background and methods of this generation of bosses and Madara are very similar. Although it is not of the same level, he also has conspiracy and hatred for Konoha, but this man named "Bilyuhu" is too stupid, not on the same level as Madara's IQ, and even less on the same level as EQ. He gave the major powers coercion before he obtained the ultimate power (Kakashi), although this may also be more targeted to put pressure on Kakashi rather than declare war on countries. But he did it, spending a lot of money to make a huge personal impression for a few seconds. You must know that when a person is too high-profile and too fanciful, he will inevitably bring a tragic fate to himself. So he helped us verify this fact. Although, he may have done this because the body after the transformation is too Q, otherwise he has no courage. But no matter what, he is a cup. For the same purpose, if it was Madara, it wouldn't be like this. He wouldn't use too many resources, and just used a few words of YD to directly despise the five shadows in one breath. Moreover, it is extremely sharp, and it can definitely bring a lot of psychological pressure to people. The difference is reflected here.
Four: I will not talk about the part of collecting blood and following the boundaries
, it is just a "salutation" to the original work. The "Tailed Beast Collection" corresponds to the "Boundary Collection of Blood", and the "Eye of the Moon" plan corresponds to the "Golden Ring Eclipse Ceremony". The creative emperor is full of cows...
Five: their own way of forbearance
Because everyone adheres to their own way of forbearance, differences of opinion are inevitable. When the parties involved are full-blooded young people, fighting becomes the most powerful solution. So, Naruto and his friends continued to write one legend after another. Through the end of the playbook of this generation, we deeply understand the greatness of rotten women and deeply feel the status of women in society. For sales, AB can rot. In order to box office, supervision can continue to corrupt. There is a market where there is a need, and theatrical animation is the type of animation that needs to be considered the most in terms of demand. The reality is very cruel, when rotten becomes the link between animation and comics, it means that the world is changing. So no matter how loud the author shouts "Kakashi, you're blushing," it won't help, although the author still prefers to "wipe your feet" or something...
Six: New Era
Looking at this new theatrical version, It is not difficult to find that there is a fact in front of fans who do not know whether to be happy or depressing, that is, the generation like Tsunade and even Kakashi have been overtaken by the younger generation farther and farther. With the increase of age and the change of mood, many heroes of the year have also become tired and weak, unable to take more stable measures immediately for difficult things, and always sacrifice themselves for dangerous things as the premise, like this It is completely putting pressure on the younger generation, forcing them to grow up and mature, and the new Konoha is born. This is fully expressed in the theatrical version, and of course in the comics, but it is not so obvious. Of course, there is no way out. People want to grow up, and comics have to grow up too. For the sake of the plot, the animation even focused on this point, so Kakashi made a cup again. Speaking of his performance in this theatrical version, it was really a waste. It's completely for the plot and the plot, for the base and the base (if it's a rotten girl, she will definitely think that the two bells have become the same gift as that set--). This is the new era, and that's how "Steward Wind" came from. The word "inheritance" is particularly obvious here.
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There are so many comparisons with the comics. As a theatrical version, there are also many highlights this time. For example, the ability of the screenwriter (mentioned earlier), such as the flash of three generations, such as the combination of super robots (the "Fetters" part is a flying sky like Gundam), and another example of the spiral shuriken that breaks through the sky. .. It's too burning, the author has completely "Breakthrough of Tianyuan"...
The music in other aspects is still good, especially the sound effect, which is very bold, and reminds me of the hot-blooded robot animation again. In terms of fighting, the combination skills, link skills, and original skills are all emerging in an endless stream, but the boss's 4 plug-ins are more evil.
In the end, the author concludes that watching the theatrical version is equivalent to looking for abuse, but it is also a must watch, maybe you can find some fun (that is, abuse).
Written at: 2010-04-30 18:12
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